Two items that get talked about a lot, but how about them both working together? Felipe Baez has put together a tutorial on how Final Cut Pro X can work in a collaborative way with proxies stored in the cloud.
Without a doubt, proxies within Final Cut Pro X make life a lot easier when dealing with larger formats. Those are internally generated though, so what about relinking original media to camera generated proxies? Slavik Boyechko explores...
We all copy and paste sections of timelines in Final Cut Pro X. Micha Blazer's discovery of a cheap app called Copy'em Paste turbocharges the CMD C & V keyboard shortcuts right in FCPX. It's a great find!
Robin Moran publishes his last part in a series of three articles on how to handle large sized camera media in Final Cut Pro X. This time he's describes what's changed in FCPX 10.3, what has been fixed and also supplies a very handy resolution cheat sheet.
The increased use of video on social media has seen a rise of the “square video” format. As we’re seeing more of this type of video around the web, we asked Chris Roberts to look into it for us and explore how we can use Final Cut Pro X to “squarify” our edits.
Time for the last instalment in this reference series of articles for filmmakers. Part five is all about collaboration with colour, VFX and audio departments. We finish with how to deliver your film for theatrical release & display.
Continuing our look at Final Cut Pro X for Premiere editors, Chris Roberts takes a look at the different editing techniques you can employ. There are some big changes and Chris gives you the information you need to know to get up to speed.
On to part four of this masterclass in filmmaking and it's a bumper issue! Sam Mestman and Patrick Southern this time talk about group workflows and finishing. As always, lots of info and great tips. Possibly a two cups of coffee article.
Here at FCP.co, we are all too familiar with the advantages of a Final Cut Pro X workflow. But, as FCP X becomes more widely used throughout the production industry, we thought we’d dedicate a little space to helping those familiar with other NLEs get to grips with our favourite editing platform. We asked Chris Roberts (who’s both an Apple Certified Trainer and Adobe Certified Instructor) to help Premiere Pro editors draw parallels with FCP X.
Time for part three of Sam Mestman and Patrick Southern's very popular series on the workflow, techniques and tips needed in getting a 5K feature made, from shooting, right through to distribution. This time it is all about editing in FCPX and they also include a rundown of essential third-party tools.