You can't just drop iPhone 12 footage into a REC 709 project in Final Cut Pro, Serge M explains why and more importantly, how to fix it.
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- Written by Peter Wiggins
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- Written by Thomas Grove Carter
Thomas Grove Carter starts off a series of short Final Cut Pro tutorials with four published today.
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- Written by Mark Spencer
We are all used to the excellent proxy workflow in Final Cut Pro, but what about using camera generated proxies?
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- Written by Peter Wiggins
A detailed and concise explainer on how to transfer Final Cut Pro Libraries between editors.
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- Written by Benjamin Halsall
In this new tutorial I'll be showing how to animate text in Final Cut Pro using keyframes.
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- Written by Peter Wiggins
Watch how Daniel Schiffer makes a demo smoothie commercial in Final Cut Pro from a very simple beginning.
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- Written by Steve Martin
This week I take a look at different ways you can use the Position Tool in Final Cut Pro.
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- Written by Steve Martin
This time we are going to look a the various options when using the Image Mask effect in Final Cut Pro.
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- Written by Peter Wiggins
Some great tips from Final Cut Pro editor Rafi Saar on using audio in multicam clips in Final Cut Pro.
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- Written by Mike Matzdorff
What does it take to convert a Hollywood editor to Final Cut Pro? in this series of videos we will find out.
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- Written by Peter Wiggins
Find out how to change the display of metadata and configure the XML export options in Final Cut Pro.
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- Written by Josh Beal
Are there big differences in trimming between Avid and Final Cut Pro? LA-based editor Josh Beal compares the two NLEs.
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- Written by Peter Wiggins
In the first of a few articles about shared and remote workflows, we thought it would be a good idea to start by sharing the just published white paper 'Final Cut Pro Shared & Remote Solutions'.
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- Blackmagic's Final Cut Pro X 'Gotcha' Got Me Again!