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There are plugins out there for 3D editing, but they are expensive even with the latest price cuts by GoPro. If you have FCP and After Effects and you're on a budget then this workflow is for you. Part two of the video and the finshed result after the break.

Do all the old versions of Final Cut with manuals really add up to 17kg? The dumping of the boxes got us thinking though, what should we do to prepare for FCPX?

A post FCPX sneak peak Larry Jordan tutorial.  Larry shows us the basics of making different sized versions by exporting from the timeline and then using Compressor.

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Two great interviews by Rick Young of MacVideo filmed at the recent SuperMeet in Las Vegas. Steve Martin and Ned Soltz talk about the new Final Cut Pro, FCPX.

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We noticed on the recent FCPX sneak peak video or screen grabs that one of the 'stock' effects was a 'Day to Night' filter. This set off a conversation with another editor about the best way to get the same look in FCP7

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With all the articles about FCPX floating about the internet, it is nice to get back to the craft of what we do. Oliver Peters does exactly that with this informative article on color grading.

Another tutorial from Wes James, this time he animates on the elements of a poster.

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Well according to FCP Towers, my article on the subject above had some good hits/tweets so I thought it might be interesting to write an update after digesting the FCP Sneek Peek. 

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If you've ever searched Google for an answer to a problem with Final Cut Pro, then chances are you'll have visited the Apple discussion boards. Check your bookmarks as the best FCP forum on the web has had a makeover.

Take a look at the video above. The new FCPX in action? Wrong, it's an iMovie timeline worked up by Scott Simmonds. Looks slightly familiar doesn't it?