Some kinetic typography gives clear advice on how your scratch disk works in Final Cut Pro. Short but to the point and rather cool too. Video after the break.

Walter knows his stuff, he grades using Color on a regular basis and has produced a top selling Color instructional DVD. He managed to squeeze some demo time at NAB to take a look at Baselight and the FCP plugin.

Two reasons for posting this video. The first is the fact that PluralEyes is a pretty amazing piece of software for synching clips and audio together. The second, well take a look after the break.

Those FCPX Presentations filmed from iPhones, iPads, Canons, Nikons, and Panasonics are starting to spring up across the net, like Pink Floyd bootlegs. Some have been filmed from bags, other like Emmanuel Pampuri's managed to get both presentation party and screen in shot, and with a somewhat frenzied sting on the front! Well done Manu for posting so soon. Part 2 after the break.

FCPX - It was the news we've been waiting a few years for but it was worth it. Awesome, jaw dropping call it what you want FCPX (10) takes editing to a new level. All the new features after the break.

It will be the last because from tonight when the 'new' FCP is demoed at the SuperMeet, FCP7 will named the 'old' Final Cut Pro. Tonight will be a watershed...

We all want this and we completely agree with Jason Rose when it comes to editing and keyboards. However demoing FCP7 with a touchscreen seems slightly odd with the new version less than 48 hours away.

Another tutorial from Wes James. This time he replicates the scrolling animation you have on your iPhone. Everybody has an iPhone now right?

Hot news indeed. This plugin gives editors direct access to Baselight functionality within Final Cut Pro.  You can render the Baselight settings within Final Cut or export them as an XML list to load into a Baselight system. Could this just last 4 days before the new FCP is announced? 

Editshare ups the ante as it introduces 'Energy', its new high-performance mid-range shared storage solution at NAB 2011. The beauty of ‘Energy’ is that it offers advanced project sharing with sequence and bin locking for Avid, Apple FCP, and Lightworks. If you want more than one FCP editor working on a project then this might be the answer.