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Motion & Graphics Tutorials

User Stories

Creating The Slow Mo Guys VR180 in Final Cut Pro X

Explosions, fire, paint, slow motion & 3D 180 - What more could you want? Daniel Fabelo runs through the Final Cut Pro X workflow he uses editing for the popular YouTube channel The Slow Mo Guys.
Creating The Slow Mo Guys VR180 in Final Cut Pro X

In-Depth Tutorials

Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and…

We built a pool! Publishing animating Motion textures to Final Cut Pro X

Want moving textures in Final Cut Pro X? Plugin building expert Fox Mahoney shows us how to construct a moving water texture in Motion and publish it to FCPX. Great knowledge that will extend the capabilities of 3D text even further. Link to the free finished moving water texture generator plugin…
animating textures fcpx

Big Sur & Apple Silicon

FCP.co Live Show 17 - Thunderbolt 4 Special with Larry O'Connor

On Tuesday the 6th of October, we welcomed Larry O’Connor, CEO and Founder of OWC for our FCP.co Live Thunderbolt 4 special. What is it? What does it do and why is it better than Thunderbolt 3?
FCP.co Live Show 17 - Thunderbolt 4 Special with Larry O'Connor

Mobile Creator

Post Production Beginner’s Mind

As Final Cut Pro X lets beginners cut high quality media from the moment they open the app, do they look at the software learning process any differently to established editors? Steve Bayes visits the recent Vlog University and Smartphone Studio Workshop to…
Post Production Beginner’s Mind

Replacements for the DSLR's are a bit like London buses, you wait ages and ages and then loads come at once.

Sony, always a major player, has just announced that it is developing a new type of E-mount interchangeable lens camcorder for professional use that is equipped with a Super-35mm equivalent large format CMOS sensor. This new addition to Sony's professional "NXCAM" line will be available in the middle of 2011.

Already a key player in the 35mm digital cinematography business with the highly acclaimed "CineAlta" F35 and SRW-9000PL for high-end digital cinema production, Sony has just strengthened its lineup in this category with the recent PMW-F3 announcement. In addition to this, with this new "NXCAM" HD camcorder now (still under development), Sony looks to further strengthen its position in the entry-level segment by providing an affordable yet highly capable professional solution for many applications including independent film, music video and corporate communications all looking for the cinematic look.

This "NXCAM" HD camcorder under development will be equipped with a Super-35mm equivalent sensor, a widely used film stock size in the film industry that is perfectly designed for capturing motion picture. This new sensor will have extraordinary performance in terms of picture quality and sensitivity, and is able to create rich "Bokeh" effect (beautifully defocused image) that is perfect for artistic story-telling in motion picture.

Thanks to the adoption of the E-mount interchangeable lens system that is identical to the "α" series NEX-5, 3 and "Handycam" NEX-VG10, the E-mount lenses will be compatible with this new professional camcorder. In addition, a very short flange back distance (the distance between lens mount surface and sensor surface) let various "α" A-mount lenses be mounted via a mount adaptor (LA-EA1). Furthermore, it is also possible to attach many other lenses using third-party mount adaptors*1. With such flexibility, users will be able to experiment with various creative expressions by exploiting the characteristics of different optics.

*1: Not all types of adaptors and lenses are guaranteed.

The recording format for this new HD camcorder will be AVCHD, a widely supported format by many non liner editing software vendors and the same format as HXR-NX5 "NXCAM" camcorder. 
There is also a plan to implement 1080p (60p / 30p / 24p*2 or 50p / 25p) recording modes. 
(MPEG4-AVC/H.264 compression will be used for these modes.)

*2: 59.94p / 29.97p / 23.98p respectively.

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