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Motion & Graphics Tutorials

User Stories

Cut With FCPX: The Prestigious Period Mystery-Thriller "La Peste" Surpasses "Game Of Thrones" To Become The Most Watched Television Series In Spain

With a production crew of 400 people, a cast of 200 actors and over 2000 extras, hundreds of hours of raw footage shot by several crews on 130 locations, 9 months of editing and 10 months of VFX work, Alberto Rodríguez’ and Rafael Cobos' 12.3 million dollar…
Cut With FCPX: The Prestigious Period Mystery-Thriller "La Peste" Surpasses "Game Of Thrones" To Become The Most Watched Television Series In Spain

In-Depth Tutorials

Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and…

We built a pool! Publishing animating Motion textures to Final Cut Pro X

Want moving textures in Final Cut Pro X? Plugin building expert Fox Mahoney shows us how to construct a moving water texture in Motion and publish it to FCPX. Great knowledge that will extend the capabilities of 3D text even further. Link to the free finished moving water texture generator plugin…
animating textures fcpx

Big Sur & Apple Silicon

Mobile Creator

An Overview of the Apple Hardware Ecosystem for Video Professionals

In this article, Sam Mestman looks at each Apple product that can shoot or edit, indicates its place for filmmaking and also tells us which models he recommends. If you re thinking of buying a new Mac, iPad or iPhone, this is for you!
An Overview of the Apple Hardware Ecosystem for Video Professionals

 

In the past it's always been a bit of a problem getting a monitoring signal out of a DSLR so other people can watch. Indiespot.tv caught up with Teradek's Rod Clark at the DV Expo.

Fine if you're a one man band DSLR videographer, but imagine the following scenarios:

1) you're making a short film on a budget, with actors and extras involved, then the director will want to see the camera's output.

2) you've got a technically complex shot requring: a crane, a jib, or a long dolly move, or a tracking shot which you can't monitor because you're making sure you don't fall over. Once again the director or your assistant will need to see the camera's output.

Now Teradek have come up with the solution, streaming video over a wifi connection. Check out some of the videos.

Cube is the world’s first camera-top wireless HD video encoder. It streams up to 1080p over WiFi or wired Ethernet. Cube is the ideal solution for guerilla filmmakers who need on-set video monitoring without the cost or complexity of a full VTR rig. Cube is also a great solution for full-scale film productions to eliminate camera tethering on long dolly moves, running footage, steadicam shots, hand-held operation, jib-arms, and crane shots.

Cube’s ad-hoc networking mode creates a network and streams directly to a decoding device such as a Laptop or iPad with no other equipment required. Using Cube’s infrastructure network mode Cube’s IP video stream can be distributed over a LAN/WAN or over the Internet. Cube uses the world’s most advanced video compression – H.264 High Profile Level 4.1 and provides Blu-ray video quality. Cube’s end-to-end latency is approximately 1/8-1/2 second.

Cube is tiny (about the size of a deck of cards), uses only 2.5W of DC power, and weighs only 7 ounces, and mounts easily to a rail system, cage, hotshoe, or camera baseplate. Cube’s line-of-sight WiFi range is approximately 300 feet when used with a high quality WiFi access point. Cube has been tested extensively with RED ONE**, Arri Alexa, Panavision Genesis, Canon 5Dii, Canon 7D, various handi-cams and more.


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