The artificial intelligence based colour grading system Colorlab Ai certainly looks like it could transform the grading process. Colorlab AI advisor and investor Steve Bayes explains why he became involved and how this technology should eventually become available to Final Cut Pro X users.
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- Written by Steve Bayes
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- Written by Peter Wiggins
We take a first look at the new ThunderBay Flex 8. Is it a dock? Is it a RAID? Is it a PCIe expansion box? The answer is yes to all three, down one Thunderbolt 3 cable. (Cat not included)
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- Written by Staff Writer
Hot on the heels of the iPhone shot The Princess Bride, Apple has entered the non-landscape video publishing market with 'The Stunt Double' a vertical video from Academy Award® winning director Damien Chazelle. Well worth a watch. Vertically of course.
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- Written by Peter Wiggins
We will be talking about how to use Final Cut Pro X with YouTube - or better still, how to maximise the discoverability of your YouTube videos and channel. YouTube is the second largest search engine in the world, so why not use all the features?
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We welcome Nathan Orloff to FCP.co Live. When the lockdown stopped him editing the new Ghostbusters film on Avid, he edited the celebrity-filled Home Movie :The Princess Bride from home on Final Cut Pro X! Join us, it should be fun!
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What do actors do when the Hollywood movie machine shuts down due to Covid-19? They make a home movie of course!
Home Movie: The Princess Bride started off as an idea by Jason Reitman to raise money for the World Central Kitchen charity. It ended up being a 10 part series that is available on Quibi. Nathan Orloff had the job of stitching all the actor-shot iPhone footage together. He used Final Cut Pro X of course!
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- Written by Peter Wiggins
We have liked LumaFusion since its release, but now a new feature has turbocharged the iOS editing app into a very capable, collaborative editing tool.
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- Written by Tom Morris
Teaching video production skills to over 300 students in three days? No problem for Tom Morris when he hosted a mobile film workshop. Then two events happened in 2020 that made him realise that transferring shooting, editing and storytelling skills to young filmmakers can really change lives by giving them a voice in the community.
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The first of a new month, so time for a roundup of the Final Cut Pro X, Motion & Compressor tutorials that we have liked over the past few weeks in June. Something for everyone!
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- Written by Peter Wiggins
A week later and the information from a packed WWDC is beginning to sink in. The move to Apple Silicon will bring advantages to FCPX such as speed and resource use, but what about new possibilities with new technology?
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- Written by James Branch
Final Cut Pro X isn't ready for prime time? Think again. The recent series of BBC1's Have I Got News For You was post produced on FCPX. Could it handle the multiple angles of composited layers in a complex multicam timeline with a tight turnaround? The editor James Branch details the workflow.
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- Written by Peter Wiggins
Show 12 on Tuesday June the 9th brings us some 'unexpected' Final Cut Pro X tutorials from Mike Matzdorff and Michael Yanovich. Both (hopefully) will be with us. We also talk about producing 3D 180 content with FCPX for The Slow Mo Guys with Daniel Fabelo.
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- Written by Daniel Fabelo
Explosions, fire, paint, slow motion & 3D 180 - What more could you want? Daniel Fabelo runs through the Final Cut Pro X workflow he uses editing for the popular YouTube channel The Slow Mo Guys.
- iJustine's Quarantine Collaborative Editing Solution
- Emulate Film in Final Cut Pro X with FilmConvert's Nitrate
- FCP.co Live Show 11 - COVID19: Post Production Now and After the Pandemic
- Wamego’s Response: A COVID-19 Story or Learning to Embrace Imperfection
- Win One of 10 Free Passes to Post Production World Online
- Learning Filmmaking to Change Your Life with the Orphaned Starfish Foundation
- Join Us for FCP.co Live Show 9
- Rooster Teeth’s Haunter & the Power of Metadata in FCPX
- Luma Touch and FiLMiC Announce The Mobile Creator Summits
- Reimagining Work in the Post Production Industry