FCPX year in review

It's been an pretty packed year for FCPX and Apple news. We take a look back at the big stories of 2013, the great user profiles, the new products that were released, the trade shows and of course the year ending big software and hardware updates.



january FCPX plugin roundup

We kicked off the year with a raft of new plugins for FCPX, FxFactory, Reelpath, Nattress and Cineflare to name a few, all released products. Little did we know of the impending argument that was to follow.

PixelConduit was updated from Conduit to work in conjunction with FCPX. Another method for building plugins looked promising, but it failed to gain traction within the market.

Crumplepop released their Dale Grahn Color iPad app unfortunately on a day that the normally rock solid Vimeo decided to crash.

dale grahn color crumplepop


We published some great user stories and tutorials. John Davidson from Magic Feather showed us in 'FCPX on air' how his company made trails using Final Cut Pro X running on shared storage. This is the first video from a series of 5, the methods of sharing might have changed since the 10.1 update.

Olivier Galliano was the assistant editor (and then main editor) on the French TV series 'Lazy Company'.  Shot on two Red Scarlets in 4K, the job started on FCP7 and then transitioned over to FCPX. He described why they changed to FCPX and the workflow that they used. This was the first one of many broadcast user stories we featured over the year.

Lazy company FCPX



fcpx copyright

February was dominated by an argument. Plugin newbies Pixel Film Studios had been caught red handed by MotionVFX copying and publishing one of their products. Social media was red hot with their exchanges. Unfortunately, it wasn't the last time in the year we saw a company releasing FCPX products with a dubious heritage.

We saw a new app called Backups that made backups for FCPX, Coremelt upgraded SliceX so that mask points could be keyframed and Hamburg Media released the AS-11 Suite for exporting files from FCPX for broadcast delivery.

TouchEdit for the iPad looked cool with its skeuomorphic film strips and grease pencil, but it seems to have been overshadowed by the FCPX updates.


Peachpit finally got round to updating the Apple Pro Training Series: Final Cut Pro X book. Very important as this is the publication used when getting FCPX certified. No doubt, issue 3 won't be too far away. 

Apple final cut pro book V2

There were also new colour correction plugins from Color Grading Central, Hy-Fx, Subtitles from SUGARfx, ReAnimator from Tokyo and CounterX from Digital Heaven.

Also a sad month as we said goodbye to the old Mac Pro as it failed to meet a new European standard and Active Storage pulled down the shutters on their business. 

macpro dead EU


MARCH 2013

March got off to a start with Logan Kelsey showing us a beautifully shot and edited short film on Marty Knapp. Shot on a RED camera and mastered in ProRes 4444 at 4K, it showed how effortlessly such a project can be made on a MacBook Pro with FCPX. The video is only 1920 on Vimeo, maybe we can get Logan to upload again to YouTube at 4K.


New products came along for FCPX for asset and metadata management. The DAM Cantemo Portal fills the gap where Final Cut Server used to occupy (In depth article by Jonathan Eric Tyrell here) and Lumberjack from Intelligent Assistance brought real time logging on an iPad whilst filming

Arctic Whiteness released a a gesture based application called The Touch for controlling FCPX. Priced at €20 it gave instant control over the colour board and other FCPX operations by using swipes and gestures.


There were of course new plugins released. XEffects Camera Transitions from Idustrial Revolution, Chrominator from Tokyo, Panel Pop from Stupid Raisins and Lightpaths from Tangent FX.

And of course we should not forget that on the 28th of March, Apple released FCP 10.0.8, Motion 5.0.7 and Compressor 4.0.7 along with the ProApps Quicktime codec update.

10 0 8 FCPX update


APRIL 2013

Most of April was dominated by NAB news and in Las Vegas, Blackmagic's two new cameras were the stars of the show.

Other new video hardware came from AJA, although we would have to wait later in the year for the Io 4K. We also visited Matrox to have a look a their new streaming box called Monarch and Motu for the Thunderbolt equipped HDX-SDI.

We looked at the new storage products from G-Tech, CalDigit, Promise and Small Tree.

There were new plugins on display at the show. We really liked Technicolor's Color Assit which bought three wheel colour grading to FCPX. Unfortunately, Technicolor killed the plugin and made the team redundant later in the year.

Technicolor FCPX NAB


In the Plugin Pavillion, Jim Tierney showed skin smoother Beauty Box and Roger Bolton from Coremelt was demonstrating the new planar tracking in SliceX. Elsewhere on the show floor, NewBlueFX demonstrated their plugins that now work in FCPX and Softron showed that a growing clip that was created with Movie Recorder can be played back with a 3 second lag in FCPX.


Back to the expanding list of great user stories on FCP.co and Mike Fernandes shared with us how Emmy winning show George to the Rescue gets cut on FCPX. 

NBC FCPX George to the rescue


MAY 2013

May was a quieter month, but it also seemed to be the month of flares and light leaks. Tangent kicked it off with Hot Spots, followed by PHYX and Flarelight and XFlare from SUGARfx.

We had the joy of living with a top spec Apple iMac to see how it performed. The write-up is in two parts. Part One: Unboxing and first thoughts,  Part Two: Living with it

imac test loan


Larry Jordan gave us the 'heads up' about Unveil from Zynaptiq. This powerful audio plugin for FCPX can remove reverberation from voice. Coremelt released SliceX (powered by Mocha) for FCPX and also a couple of handy plugins should you shoot on cameras with flat picture profiles.


Nick Watson got in touch to tell us about 'The Man Who Shot beautiful Women' a documentary edited on FCPX that aired on the BBC.


JUNE 2013

Well what a month, it was the beginning of a lot of hardware and software speculation, but we started it off with some more user examples of FCPX in Action. Logan Kelsey sent us links to three more fabulous looking mini-docos shot on RED and edited in FCPX. 

RED 4K FCPX Logan Kelsey


Then boom! The annual Worldwide Developers Conference (WWDC) kicked off with an amazing keynote speech. The big news being of course the Mac Pro was unveiled and it was also promised by the end of the year. 

macpro new

It was also announced that a new version of Final Cut Pro X (especially optimised for the Mac Pro) was to be released by the end of the year.

Plenty more Apple news in the Keynote, including the new operating system Mavericks. (Mac Pro sneak peek at about 53:30)


A star was born when a University Professor Erik Knudsen from Manchester in the UK, published entries about editing with FCPX on his video blog. Everybody liked his simple but thoughtful explanations and his blog is well worth following to see the progress of his film.


New plugin developer Lawn Road released two new plugins, Ripple travelled the world using Jumps and Rainer Standke launched an application called Marker that highlighted used and unused FCP7 & FCPX clips in the Finder.


JULY 2013

July started off with a couple of user stories. Perry Childs from Pyrmont Productions told us about a real world Audi job cut on FCPX.


Followed by Chris McKechnie and his corporate video for Peragon shot on a 5K RED Epic.


Apple caught everybody off guard by releasing Logic Pro X. The new iPad controller made FCPX editors drool along with a spruced up interface and the ability to import and export XML to Final Cut Pro X. 

logic pro x 1 banner


Staying on the theme of controllers, the Kickstarter funded CTRL+Console app for the iPad made the App Store. It's a free download with in-app purchases for the FCPX and Adobe Premiere controllers.

ctrl console fcpx


There were new plugins from Tangent FX and SugarFX, A free Fisheye Fixer from Coremelt, logos galore from MotionVFX and new colour correcting plugins Hawaiki Color and Nattress Contrast. Red Giant also released BulletProof, a DIT and backup tool.

On the 30th, Apple released the small 10.0.9 update to Final Cut Pro. Mainly bugfixes and stability improvements, it was to be the last update before the 10.1 whopper in December.

10 0 09 FCPX



The start of August wasn't great for Philip Johnston who showed us the great customer service he got when replacing a drive in his Pegasus R6 RAID. 

Amanda Burns from Florida Atlantic University explained to FCP.co readers how they were using FCPX on multiple workstations connected to a SAN.

FAU fcpx shared- storage


Ben Consoli did 'The best FCPX multicam demo I've ever seen' according to Philip Hodgetts who was in the audience at a Boston Creative Pro User Group meeting.


Atsushi Matsumoto posted three text tutorials for Final Cut Pro X, all especially for Japanese editors.

Our friends at Editors Keys got us very excited when they demonstrated editing with FCPX by hand gestures using the Leap Motion controller.


The FCPX user stories kept on coming in. Tracy Evans from Tracy Evans Productions showed us how pleased he was using FCPX on a MacBook Air and Matthew Celia described editing music videos on his Air.

macbook air fcpx followup


There was a lot of talk bout GPUs and FCPX. Oliver Holtkamp described rendering bugs with a Sapphire 7950 Mac Edition GPU and Andrew Smith showed us how he had turbocharged his renders by installing an NVIDIA GeForce GTX 680.

gtx 680 fcpx


There were new plugins of course. SkinTone from CrumplePop, Steps from Ripple and Lower Pop from Stupid Raisins. Intelligent Assistance launched 'Producer's Best Friend' an application for exporting information about timelines and clips to an Excel spreadsheet. 



September saw one of our articles get the highest readership since the site was launched.

FCPX in Bulgaria

FCPX in Bulgaria was publish on the eve of IBC, but its FCPX content made it essential reading for anybody in the post production business. Sam Mestman the author, certainly ruffled a few feathers in the film business.


IBC preview

At IBC itself, AJA announced the Io 4K with Thunderbolt 2, Blackmagic Design published the DaVinci Resolve 10 public beta, GoPro were showing their Studio 2 and Eyeheight demonstrated the plugin legaliser ComplianceSuiteFCPX. Lots of Thunderbolt peripherals on display as well.

Larry Jordan had teased us for a month by trailing his presentation with the question 'Is Final Cut Pro X ready for professional use?'  Rather disappointingly, he used FCP.co as the main source of information to prove the point without actually mentioning us. If you have read through this 2013 review article, you'll find a lot of Larry's presentation VERY familiar. 


Final Cat Pro added extra functionality to FCPX with a set of plugins and Intelligent Assistance launched another application, Change List X for detecting changes in-between projects. 

The user stories kept on coming in. Noam Kroll from Creative Rebellion decided to shoot his Sundance entry 'Brother Sister' on a Blackmagic Cinema Camera in RAW and post produce in Final Cut Pro X and DaVinci Resolve. He took us through his workflow.

brother sister FCPX Sundance



With the news that the Mac Pro would be 'rolled out' the end of the year along with a new version of FCPX, things started to quieten down across the ecosystem.

8 free effect friday

During the year, we had been publishing links to new free FCPX plugins. October had a bumper crop of free effects that we published on #freeeffectfidays. They will make a return in the new year.

One commercial product that was launched in October that proved to be very popular was LUT Utility from Color Grading Central. Costing just $29 it converts flat picture styles to the correct grade in FCPX.

LUT Utility fcpx


We learnt how to do backups from FCPX to LTO (A tape machine) using BRU Producer's Edition and how to batch export still images from timeline markers.

We started publishing the popular The FCPX Man Diary. Although currently stalled, we have been told that it will return with new vigour in the new year.

The big news of the month however was the launch of the new Mac OS Mavericks. As anybody who tried to download it that night will tell you, it was a popular update from the off.

All the journalists missed the fact that a new Mac Pro was sitting after the presentation playing back 16 streams of 4K in a multicam clip.

mac pro fcpx 16 4k



tech tv fcpx

UK production company Tech TV made the transition from Final Cut Pro 7 to FCPX.  Head of Production Matt Smith described the reasons and benefits for switching and how FCPX has led to awards for their productions.

Andy Neil very kindly published a great series of tutorials on Motion and FCPX. His YouTube channel is well worth subscribing to.

Huibert van Egmond sent us details on how he operates Final Cut Pro X with the DJ remixing unit Traktor Kontrol X1.

Tracktor Kontrol X1 FCPX


We found out if a growing EVS file would update within FCPX on Mavericks and we also discovered how to overlay speed, altitude and GPS information from an iPhone over footage.

Our article on 'The Four Types of FCPX People' proved to be very popular and it sparked off a big debate on social media.

XEffects Toolkit FCPX

There we also new plugins of course. XEffects Toolkit from Idustrial Revolution consisted of 53 editing tools for $49, Neat Video updated their denoiser for FCPX 10.0.9 and Luca released Hi-Tech.



December will be remembered for two big reasons, the new Mac Pro and the FCPX 10.1 update, but more of that later.

x-wipe FCPX

A new application from Norwegian developer Helge Tjelta called X-Wiper was released that deletes unwanted media so that FCPX projects and events can be archived.

Our credits cards looked as if they might take a bashing when Blackmagic Design released the UltraStudio 4K and Promise Technology announced the Pegasus2 Raids. Both featured Thunderbolt2.

We mustn't forget Kevin Abosch who was (or was it Tony Fadell) the guy who forked out nearly a million dollars for the special RED Mac Pro.

RED macPro FCPco


And then that day happened. Thursday the 19th of December. At 8:30 GMT Final Cut Pro 10.1 was released.

Final cut pro x update FCPX


To be followed very shortly by the news that the new Mac Pros were shipping. We knew as we were one of the first to get one! 


Since then we have published these articles:

The first 24 hours with Apple's new Mac Pro and Final Cut Pro 10.1 (With THAT video!)

Using Final Cut Pro X 10.1 in a shared environment

Editing 4K Red in Final Cut Pro 10.1 on a MacBook Pro and uploading to YouTube in 4k

The Final Cut Pro 10.1 cheat sheet

The big fat Final Cut Pro 10.1 roundup


So there you have a year in the life of Final Cut Pro X and FCP.co. All that remains is for us to wish all our readers a very happy New Year and to say thank you for all your support. 


Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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