The touch fcpx released

We previewed The Touch earlier in the week and the good news is that today, Friday is the official release date. It retails for €19.95 and there's 300 gestures free for you to test it out. So get swiping!

iPad control surfaces sound like a good idea, but they lack the tactile feedback needed to keep your eyes on the screen. Imagine how dangerous driving a car would be if you had to keep looking at the pedals every time you wanted to brake. We have heard from multiple editors that they have stopped using certain well advertised controllers as they don't speed up the editing process.

The Touch is a slightly different application. It can run on a trackpad or iPad and offers gestures to control FCPX that are shown by prompts overlaid on the screen. You don't have to find and hit a small button on the iPad. As the demo video points out "Your eyes are always on the image."

'Designed as a compliment to the mouse and keyboard, the heart of The Touch is its ability to allow users to work on their images and videos without having to constantly look away from them in order to hunt for user interface controls. This approach leads to a much greater emotional connection with the subject than is typically experienced, and is also extremely efficient. The Touch offers full support for adjusting the color board in Final Cut Pro X, and support for the most important development adjustments that Lightroom provides.'

Additionally, The Touch also provides a host of new gestures for accessing the most frequently used features in Lightroom and Final Cut Pro X, such as navigation controls, adding and removing markers and flags, accessing the video scopes, etc. – all of this without the user having to look away from their work.

The Touch is the result of collaboration between French filmmaker Vincent Zorzi and British software engineer and photographer Timothy Armes, and bears witness to their own professional experience and needs. A continuous beta-testing program throughout the development process was used to gather feedback from real users as the application evolved.

Sounds promising and the free trial will give you 300 gestures so you can put the app through its paces. The Touch sells for €19.95 (about $25) from the Arctic Whiteness website and the iPad companion iOS app is a free download from the appstore.

We are very keen to follow the development of this app as we think it shows much potential. If you've given it a try then please let us know in the comments.

Here is a video showing The Touch in action with FCPX followed by the main promo.




Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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