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Final cut pro x update FCPX

After a lot of anticipation, Final Cut Pro X 10.1 has been released. New libraries, new FXPlug support, custom project frame sizes and many more improvements and performance tweaks.

It’s finally here, FCPX 10.1 and the first great news is that it’s a free upgrade. Apple have continued their policy of not charging for FCPX updates, even though we would call it a major one.  

First impressions, one is immediately drawn to the new Libraries. These act as a ‘container’ for Events and Projects and can be loaded when required. This stops all the media on a drive being viewable in FCPX. It also probably means the death of Event Manager!

Philip Hodgetts has provided instructions on how to update FCPX with Libraries using Event Manager. Worth a read to find out what you have to do before importing the old Events. If you don't use that method, new projects go to a specified Event, but old projects get put into an ‘Updated Projects’ Event with keywords instead of the older project folder structure. 

FCPX new libraries

Clicking on a new Event now brings up the projects. Gone are the long thin strips at the bottom, the new icons are a poster image inside a clapperboard that won’t skim, but will load when clicked.

FCPX new projects

Cosmetically, the whole GUI looks slightly ‘sharper’ one addition is the the little circle indicator on the timeline cursor that appears when you have the timeline selected. A great idea as we always got confused if we were looking at the timeline or not. It also rides up stacked clips, which is clever.

FCPX new indicator

We also like the new ‘Used Media range’ indicator on clips. We don’t know if there is a way to toggle the view to show only used, or not used clips.

FCPX new used indicator

Under the hood, FCPX has been optimised for the dual GPU’s in the new Mac Pro with video monitoring up to 4K via Thunderbolt 2.

Great news for plugin developers, FxPlug 3 is now supported in FCPX and Motion5, so expect more cool plugins with custom GUIs and a big speed hike. Developers don’ have to wrap their plugins in Motion effects any more.

Here is the list of new features: 

• Optimized playback and rendering using dual GPUs in the new Mac Pro
• Video monitoring up to 4K via Thunderbolt 2 and HDMI on select Mac computers
• 4K content including titles, transitions, and generators
• Libraries allow you to gather multiple events and projects within a single bundle
• Easily open and close individual libraries to load just the material you need
• Option to import media to locations inside or outside a library
• Automatically back up libraries to a user-specified drive or network location
• Project Snapshots let you quickly capture the project state for fast versioning
• Audio fade handles on individual audio channels in the timeline
• Add precise retime speeds by entering them numerically in the timeline
• Non-rippling retime option
• One-step Replace and Retime
• Custom project frame sizes
• Through edits displayed on all clip types
• Join Through Edit command removes bladed cuts to clips in the timeline
• Detach audio from Multicam Clips in the timeline to manipulate audio and video 
separately
• Make video or audio-only edits into the timeline with Multicam Clips as sources
• Blade and move audio in J- and L-cuts
• Roll audio with J- and L-cut splits open
• Option to hide the Browser to gain more screen space for viewing
• Native support for .MTS and .MT2S files from AVCHD cameras
• Used media indicators on source clips
• Improved performance with large projects
• Improved performance when modifying or adding keywords to many clips at once
• Easily move, copy, and paste multiple keyframes
• Option for linear animation with Ken Burns effect
• Improved image stabilization with InertiaCam and Tripod mode
• Import photos from iOS devices
• Proxy and playback quality controls accessible in Viewer menu
• Support for portrait/landscape metadata in still images
• Effects parameters, fonts and text size included in XML metadata
• Improved support for growing media and edit whilst ingesting 
• FxPlug 3 with custom plug-in interfaces and dual-GPU support
• API for custom Share operations using third-party software
• Share directly to YouTube at 4K resolution
• Share directly to Chinese video sites, Youku and Tudou
• Spanish language localization
• Ability to interact with the share target application to customize the export operation.

 

We won’t forget a few small updates to Motion either:

• Optimized playback and rendering using dual GPUs in the new Mac Pro
• FxPlug 3 with custom plug-in interfaces and dual-GPU support • Faster project loading, especially for complex projects
• Share directly to YouTube at 4K resolution
• Share directly to Chinese video sites Youku and Tudou
• Spanish language localization

 

So all round, great news. maybe not the update some expected, but solid new features building on the previous upgrades. 

 

©2013 FCP.co

 


Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.

 

BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.

FCP.co

Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!

 

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