A quiet day in the FCPX world so far after yesterday's raft of news. A good time to take a look at an excellent article about using keywords in FCPX.

You might have visited our growing list of free Final Cut Pro X effects on our Forum, but we thought this one was worth a special mention. A free BBC specification title & action safe layer, definitely worth a bookmark.

If you're anywhere near Boston this coming Thursday the 27th of October, then this is a must. The SuperMeet sets down camp in Massachusetts for the night with a pretty impressive presenter line up. What will Walter Murch think of Final Cut Pro X?

A headline writers dream, not the name of the product but the opportunity was far too good to miss! ISP from Japan have updated their Film Color like HDR plugin to work with Final Cut Pro X.

There has been a huge buzz on the Internet since it was announced that BlackMagic Design's DaVinci Resolve 8.1 would take FCPX projects. Patrick Woodard gives us half an hour of how he grades using the application.

Intelligent Assistance have launched their import translator, Project X27. It does exactly what it says on the tin by allowing the conversion of Final Cut Pro X projects into Final Cut Pro 7 sequences.

You're recording with a flat gamma curve on either an Arri Alexa or the Sony F3 with the SLog option. Pomfort have just released two new plugins for FCPX and Final Cut Pro 7 to get those files into Rec.709 to display correctly in FCP.

Another episode of MacBreak Studio and this time Mark and Steve take a closer look at GPU rendering in Final Cut Pro X and distributed rendering with Compressor.

Digieffects have joined the list of companies that have updated their plugins to work with Final Cut Pro X. Delerium is the first pack that gets the makeover.

Hot on the heels of the weekend's excitement with FCPX and FCP7 project interchange, Jef Gibbons got in touch with us to share his Final Cut Pro X OMF export 'workaround'

Friday saw the release of Resolve 8.1, an update to the color grading tool that now allows the import and export of FCPX projects. What followed however was a weekend of discovery when editors realised they could use this to swap projects between FCPX and FCP7.

We know that Final Cut Pro X is great for converting and editing quicktime files from DSLR cameras such as the Canon 5D. What if you want a more robust method for ingesting, cataloging and backups?