***Updated with 'bootleg' video***

Wow, what a statement to wake up to this morning. It's pretty obvious from some comments last night at the SuperMeet in Boston that Walter's not too keen on FCPX.

Not an official video, let's hope the whole presenation gets published by Michael & Dan soon.

First of all let's get the journalism out of the way by saying that we were not at the SuperMeet even though we predicted that Walter was going to come out with some choice FCPX remarks at the gathering.

The line was from a Twitter feed of @ItsMeMegatron We hope videos of the evening will be published soon and then we will all be able to judge Walters' feelings first hand.

There has been a blog post about last night already published and we thank Chris Portal for reporting in more depth from the Boston SuperMeet. We also borrowed a couple of photos from his blog for the banner.

Please give his post 'Walter Murch at the Boston Supermeet' a read.

Has Walter not twigged that FCPX contains a database? Surely using something like range based keywords would avoid some of the exceptionally long winded aide mémoires he's invented over the years.

Jokingly, another colleague suggested that Walter should apply his clip labeling techniques to his fridge contents. "Red for meat' 'Yellow for dairy' etc and also put a thumbnail picture of the items on the outside of the door. All that and a database of the sell-by dates of course.

Walter is not the target market for FCPX, indeed he's an exception as most film editors won't do the soundwork that he does in the app. Maybe it is the older editors who are struggling to see the powerful features within FCPX that could possibly transform their day job. We would have thought that being able to tie clips together and move them around just might sell it alone. Never mind auditions.

Come on Walter, you were meant to be one of the pioneers of doing things differently, trying new stuff out, being the first and getting a big splash on the Apple website for your reward. When you cut your first feature on FCP, you started editing before a process of getting your cut to film was invented!

We expected more, maybe Walter might look again at FCPX after the proposed update in the new year.

Many thanks to Chris Portal for the report and our cheeky use of his photographs.

Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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