Google can be a very clever tool, especially when it comes to comparing statistics. We wanted to find out which non linear editor got the most web and YouTube searches.

Unfortunately for us on the right side of the pond, the scheduling of the the Final Cut Virtual User group doesn't really work for us. Good job they have just posted the recording of last nights meeting!

A follow-up to probably one of the most read FCPX articles of 2013, Sam Mestman returns to Bulgaria. On the eve of the release of Expendables 3, how did the EPK on FCPX edit go? He also reports back as one new feature film gets cut on both Avid and FCPX at the same time - which one finishes first?

A chessboard made out of 64 HD clips -  all made possible with FCPX and a new Mac Pro. Svein Sund explains to FCP.co how he accomplished this massive project.

Can't believe it's nearly time for IBC and that means it's also nearly time for the Amsterdam Supermeet. Top of the bill so far are the two editors working on the new Star Wars film.

Alex Snelling and 10 dot 1 have just published a new version of their PDF which details the many different workflow scenarios when using Final Cut Pro X. So how much has 10.1.2 changed things?

This is something that we don't really do, trail an article, but this time it's well worth it. How the Tour de France was edited on FCPX for UK broadcast television.

Producing a promo for the largest sporting event in the world takes some organising of footage, especially when the client wishes to build multiple virtual video walls. Joe Castellano edited the ESPN spot using FCPX and Motion before the final promo was finished in Flame.

Alex Gollner takes a look at Apple's recently granted patent that details how multiple editors could work on the same timeline. He's done the detective work discovering what might become true collaborative editing.

Take a group of dancers, three years and the ambition to push the boundaries of pole dancing and you have the ingredients for a good feature length documentary. It turned out that FCPX was the ideal tool for the edit.

Christopher Hills is a young editor living in Australia, he's also an Apple Certified Pro Final Cut Pro X Level One. A great achievement, but quite outstanding when you find out he controls his Mac with just a head switch.

We have been very busy over the weekend and although from a quick look it doesn't look like it, this site has had a complete update. Can you help us to make sure everything works ok?