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Rotate a clip in the browser
- FinalCutdown
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- FinalCutdown
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It doesnt reencode but still has to copy everything to a new file, with an 80 gig file it still takes like 15 minutes on an external ssd.. Its still a pity that this is not supported in FCPx natively.
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- FinalCutdown
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Does anyone know why the "orientation" field in FCPx Inspector under "Extended" is always greyed out? Is there a way to activate it?
That field is likely only active when a source media file with "properly supported" metadata is imported to FCP. You can't expect FCP to support everything that every possible camera maker or other application includes or doesn't include in a file, can you?
A better question is perhaps why you would assume that a mistake made in production should necessarily be fixable in post?
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- FinalCutdown
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- FinalCutdown
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You were right! Rotating in finder does not transcode the file - only the quicktime player forces me to save the file after rotating and retranscode it. The only disadvantage: It takes a lot of time in the finder as well and if I have to rotate 180 degrees, I have to wait double the time because I can only rotate in steps of 90You can rotate the files in Quicktime using the Edit Menu. Depending your OSX version you can also do it in the finder by clicking on the file and clicking on the Rotate Left option.
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- François-Xavier NOULENS
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2- Batch Rotate you clips in there
3 - Export iMovie project as FcpX Library in iMovie menu
done.
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- FinalCutdown
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I am sorry, I would never dare to question or criticise this fantastic application my fellow believers.. Its just that Sony cameras like the FX3 for example immediately tag a video as vertical if the camera is slightly tilted before recording starts, you cannot switch the function off which is horrible for a "professional" camera.
I can't speak to the functionality of the FX3, as I don't have one. But, is it possible to rotate an image/movie in-camera after recording, so that it is saved in that new orientation? Would Catalyst Browse or Catalyst Prepare be able to do a rotation without having to re-encode? I would agree that not being able to lock either a horizontal or vertical recording mode prior to actually recording (i.e., during setup of a camera or other artistic reasons) would seem to be a weird limitation.
I apologize if I sounded a bit brusk in my previous response. There is a tendency for many to be somewhat lackadaisical in approach when acquiring footage, let's say, and along with it an expectation of some sort of "easy button" in post that can fix anything. Equally frustrating is the expectation that FCP support every sort of metadata and codec variant created by camera makers (where, in reality, the makers need to provide info to Apple well in advance, along with collaboration regarding codecs and other things).
On the iPhone you can lock orientation for recording, at least with some 3rd-party camera apps.
With the camera recording things upside down, the assumed orientation would be the standard/expected one ("landscape" if there is more than one choice). So, the "Orientation" field in FCP wouldn't necessarily apply, as what you'd want to do is actually rotate the image (i.e., modify it) after it was recorded. If the use of a camera presumes a standard "landscape" mode of operation, there would likely be no reason to even have metadata for "orientation" (hence the "No value" shown in the Inspector for many clips).
And, yes, DaVinci Resolve and AVID Media Composer both allow changes to attributes, such as rotation, for clips prior to editing them into a sequence.
Back to FCP...
If you select the clip the Browser and choose the Clip -> Open Clip menu item, you can select the video "track" and change the rotation in the Inspector. Don't forget to "back out" of the clip when done. This works well for a one-off "bad" clip but would quickly become tedious for many clips.
@FinalCutdown, if you feel strongly about this issue, you might want to consider submitting a bug report or feature request to Sony (about the "orientation" issue) and one to Apple about making more "clip attributes" editable via the Inspector.
Cheers.
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I still don't know if they even read those bug reports, I never received an answer and bugs remain.
For some reason, the webpage version of the Apple Feedback Assistant is hamstrung. However, there is an application bundled with recent macOS versions. If you use your AppleID, you can get a free account with developer.apple.com. Once you have a login, you can then use the bundled Feedback Assistant application:
/System/Library/CoreServices/Applications/Feedback Assistant.app
The bundled version of Feedback Assistant will provide a verification and a case "code" when you submit. You can also include/upload files to support your report.
@joema uses the bundled version to report issues, ones that have been fixed. Apparently, this version of Feedback Assistant goes directly to the FCP team (unlike the webpage version). Once you get a login, it takes little time to request feature enhancements. The more people report or suggest things, the more likely Apple will respond/act...
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- FinalCutdown
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Ok... that even confused me...
A compound clip receives the characteristics of the project in which it is created! Those characteristics can be carried over into other projects.
An example:
I need to rotate a horizontal clip into a vertical format.
I'll create a 9:16 vertical format project (1080x1920). Add a gap to the storyline of say, 10 seconds. Select the Gap and make a Compound Clip. I'll just name it Rotator for this example. This can be used over and over again as long as you make duplicates first and use the duplicates for actual clips.
I'll go into a horizontal format project (1920x1080). I will add the Compound Clip (a duplicate) to the storyline. I'll double click on it to open it. Add the horizontal format clip and Rotate it 90º. I'll need to scale it (generally) to fit. Since the pixel sizes are the same, in this case, the Scale All should be set to 177.7778%, a fairly easy number to remember [the aspect ratio of 1920x1080 times 100% or H ÷ V x 100%].
No reencoding.
No waiting for exports.
No duplication of media.
* if you're working with 4K materials, you may need to adjust everything accordingly.
This isn't a bulk solution, but it is a way to take care of these rotations as you're adding clips at the beginning of a project.
HTH
My eyes glazed over a lot of the responses... If this has already been suggested... then, never mind.
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