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converting 29.97 to 25 using "optical flow"

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30 Sep 2017 09:35 #90881 by Roadswitcher
Is there a "smart" way to use the optical flow tool to convert/insert a 29.97 segment into a 25 timeline ?

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01 Oct 2017 19:53 #90911 by Axel
Don't know if there's a smart way, but like to share some thoughts.
You say "segments" which could mean small sequences (from another - 29,98 - project perhaps?). If so, what about them? One puts them in the timeline, uses optical flow from the then available option in inspector. All I can think of that made things easier - if one mixes frame rates on a regular basis - was to create a shortcut to instantly choose optical flow - like R with some modifyier key.

But if you mean individual clips from the browser, there is more to it. Because FCP doesn't mark them in the timeline as different. I recently saw Particle Fever on Netflix, a doc on CERN, edited by Walter Murch. Screenshot from the timeline:


The experiment had been documented on video by the scientists themselves, starting in the 80's. The consumer cameras used had different resolutions and frame rates. The image above shows tracks with just long renamed slugs, created to divide them visually from the rest. In the finished film there are all converted and resized differently.

When I saw this, I thought this could be good use for additional video roles. The different color makes them instantly pop out if the frame rate differs from that of the project. One can then decide which method to use.

Automatic speed could also be an option (another shortcut available). 30p@25p is only a very slight slomo. Sometimes it actually looks better than realtime (sometimes of course not), and thanks to FCPs default behavior of automatically adjusting the pitch one can even use the clip's audio ...

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