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how do you handle and compare revision in fcpx?
I was wondering how you handle and compare revisions in fcpx?
I mean I am having a harder time doing that in fcpx since we cannot stack 2 projects to compare their timelines.
Of course i can jump back & forth between 2 projects or use reference videos exported from one of them but this is not really convenient sometimes.
Especially when needing to move quickly with the director or client next to me always asking for "that edit which was better in some precious version, can we compare? ... oh yeah let's do a mix of both" ... and now you need to copy paste some parts of the edit from one project to another.
(Side note: for color turarounds and conform, when the cut has been locked and simplified, I sometimes create a video role named "color corrected" and have it sitting above the edit to conform. But it is not really the ideal way to compare 2 complicated edits)
So how do you handle that?
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What NLE opens 2 timelines at once?
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ronfya wrote: ....I am having a harder time doing that in fcpx since we cannot stack 2 projects to compare their timelines.....the director or client next to me always asking for "that edit which was better in some precious version, can we compare? ... oh yeah let's do a mix of both" ... and now you need to copy paste some parts of the edit from one project to another....
As Ben said, you can create a compound clip of project 1 and skim it in separately in the browser, having its own Browser Viewer. You can select ranges from it and paste/insert/overwrite to project 2 in the timeline.
Another way is to attach the compound clip of project 1 to project 2 as a connected clip in the timeline. You can cut and paste between them in the timeline.
Another way is copy/paste the full project 1 timeline to project 2, then move #1 on top of #2 timeline as a series of connected clips. In the above two cases, clip skimming allows you to independently skim each timeline "lane".
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- Scott Markowitz
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I'll sometimes make 2 instances of the compound clip stacked exactly over each other. Then, I'll set one of them to a transfer mode of "Difference"
If you turn off the normal instance. (V on the keyboard), you can skim very quickly over the resulting composite, and see anything that's different. (It will NOT be black in the preview monitor. - Because with Difference Transfer mode, any pixels that are identical will cancel each other out, and you will end up with a black pixel.)
I do agree with your fundamental question, though.
In my experience the only time I would want to open up another timeline and compare it is in cases where someone else did work in a project, and I had no documentation or notes about what had changed.
Not needed for me often, but would be useful in those cases to be able to compare the cut graphically.
Send Apple some Feedback. I think this should be part of the package!
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Does it work? I dunno. Someone needs to try.
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- Tom Wolsky
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Nice one. Thanks for sharing that.
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- Tom Wolsky
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You can save all previous versions of an edit.....with all the notes in one place.
You can side by side compare 2 versions and then mark the timecode for any changes.....and now with the new frame.io update it will send the notes back to FCPX.
I know it is a diff platform than what you are referring to.....but the newest update of frame.io is a whole new ballgame.
I use that now for all of my reviews.
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Scott Markowitz wrote: I'll sometimes make 2 instances of the compound clip stacked exactly over each other. Then, I'll set one of them to a transfer mode of "Difference"
Thank you. Very smart. Will try immediately.
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And nice tip using the difference blending mode to compare edits !
I really wonder why I didn't think of that since I use it regularly in photoshop for the same reason :blink:
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