help

I would like to help, I bought the Sony 4K PXW-Z100, with Premiere and Media Encoder once the video has been cut you can export MXF codec XAVC, and subsequently with Containing selective Browser inportarlo sulla camera and use it as a player, my question with Final Cut X, you can do this?

No-one accepts XAVC as a delivery format, so there is no use at all in exporting your edit to XAVC. You can export to XDCAM HD MXF and AVC-Intra 100 MXF from FCP X with the Hamburg Media plugin. But in today's world PoRes is becoming the most widely accepted format for delivering edited programs, so that's your best choice.

- Ronny

I can export the video premiere with 4 k with the native codec of the camera and go back to inport on the camera and use it as a player

degliangeli wrote: I can export the video premiere with 4 k with the native codec of the camera and go back to inport on the camera and use it as a player

But why be chained to a camera? What is the usefulness?

usefulness is that at this moment is the only way to revise a 4K video without loss of quality

If you recompress to XDCAM there will be loss of quality. There will not if you export 4444.

the problem is that at this time which player supports a 4K file? like you can see a 4K video on a TV

usefulness is that at this moment is the only way to revise a 4K video without loss of quality

That, my friend, is completely wrong. Import the XAVC 4K footage in FCP X with the free XAVC plugin from Sony ( www.sonycreativesoftware.com/pdzk-lt2 ) and you will immediately be able to view your original footage and/or your edit in full 4K quality as long as you have a decent 4K monitor attached to your system. That's the way we work with 4K from any camera.

- Ronny

you've done this, I also Calibrated MXF inport, I can work in Final Cut X, but the problem comes when you want to make a media that you can see on a TV that is not the TV connected to the Mac but for example a TV that you have in the room.
I also have Premiere and DC workflow allows me to see the then mounted by inserting the camera to any TV, I know that it is linked to the camera, but as long as there will not be a player, like Apple TV that supports a 4K file.

degliangeli wrote: usefulness is that at this moment is the only way to revise a 4K video without loss of quality

Re-encoding Long-GOP to Long-GOP introduces quality loss, period.

Exactly what 4K screen are you showing this on?

I do not understand what you mean, excuse my English but I am Italian

Of course there are UHD and 4K players. Sony has its own little UHD player (FMPX1) that you can connect to any UHD tv. And if you want top-notch quality there is the Redray player that supports true 4K ProRes, which is more than your camera can record. And as said before: you can connect any 4K monitor or UHD tv to your shining new MacPro via HDMI or TB and get instant 4K playback. When you convert XAVC back to XAVC in Premiere/Media Encoder you lose quality.

- Ronny

because you lose quality? did not know that, anyway thanks for all the suggestions .how do I send a picture, I wanted to send a card screeschot export media encoder