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Rewrap ProRes from 24fps to 25fps
Re-wrapping not confusing with converting or re-transcoding.
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In FCPX you simply reconform the file (since FCPX 10.1 this is called Autospeed).
So if you put a 24fps into a 25fps timeline you have the option to leave it or conform it to 25fps. This process will lead to rendering (transcoding), but it is effortless.
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- ronny courtens
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To do this in the FCP days you would open the ProRes file in Cinema Tools and change the frame rate in CT. This would convert your 24fps ProRes file into a 25fps one without any quality loss.
As Alban said the same thing can be done in FCPX, because Cinema Tools is integrated with this application:
Import the ProRes video in FCPX, conform the 24fps video to 25 fps on the timeline and export the timeline using current settings. This is a transparent conversion process (no transcoding is involved) that will not affect the video quality at all. You could do the same thing in Compressor or another transcoding application, but this will be slower and not better.
-Ronny
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Compress would be good, there are many files that I need to change from 24fps to 25fps.
These files will not go into Final Cut Pro X so I would need these in 25fps so I can pass them down.
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The suggestions above are the best solution.
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- ronny courtens
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-Ronny
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Why I'em asking... I gave it a try and the file size are a bit smaller.
I like to keep the quality up for color correction since these files a flat from a Alexa.
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few ways to go to 25 fps from 24 in Compressor.
You can video frame rate in your settings, which will add a frame a second as mentioned above. This will cause a noticeable skip once a second as a frame repeats. You can mitigate this by using optical flow in compressor which interpolates a new frame.
You can also run the 24fps clip at 25fps which will result in the whole thing being slightly sped up. Compressor will let you do this in the retiming section. This is my preferred option as the increase in speed is not really noticeable and you don't have any interpolation artefacts.
I think the best way though, if it's been shot in 24 is to work in 24 and then conform the final edit.
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- Tom Wolsky
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- Darren Roark
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When you import your footage that is 24, make a keyword collection to make it easier to do the conform all at once.
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- Tom Wolsky
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Um, yeah, Compressor does a great job at conforming audio. I've transcoded 60fps to 24fps and the audio is spot on and super clean. I've gone the opposite direction, and the audio is great.
Going from 24fps to 25fps, or vise-verse, is not a big deal. Batch it all in Compressor, very fast, easy workflow. PPro will read the ProRes files.
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- Scrubelicious
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This should be a standard option in Compressor!
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- Tom Wolsky
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Tom Wolsky wrote: No, this isn't what reverse telecine does. The purpose of reverse TK is to pull 23.976fps material from a 29.97 recording.
Could you then please post a step by step solution to create 25fps footage from 24fps footage with out the ghosting?
I did the option that Scrublicious suggested and it did create a 25fps file without having "ghosting".
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- Tom Wolsky
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