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Roger Bolton from Coremelt Demos His Chromatic Color Correction Plugin and the Scribeomatic Text Based Dialogue Search Tool for FCPX

The new color tools in the coming FCP X update look very impressive. They will undoubtedly incite more people to stay right within FCP X from start to finish. But they will also offer new opportunities for third-part developers to add extra functionality to the enhanced grading functions inside FCP X.

 (Right click for larger images)FCPX World Coremelt 02

In this respect, the new Chromatic grading plugin from Coremelt is very interesting because it is fast, it adds industry-standard Mocha tracking software to the process and it works with the Tangent Ripple control surface.

In his presentation at the FCP X World event at IBC, Roger Bolton from Coremelt demonstrated how you can accelerate grading, enhance client presentations and get great results quickly using the Chromatic grading tool. At the time of the recording, there was no official word on the FCP X update yet. But you will undoubtedly see where the Chromatic grading plugins will be very useful:

Also from Coremelt is the completely new Scribeomatic tool. It is still in beta, but we expect an official release later this month.

FCPX World Coremelt 03

Cloud based transcriptions services are now getting to the point where they can be fast and accurate enough to assist video editors.

In particular if you have extensive rushes with dialogue for a documentary, news or unscripted tv of any type, you can accelerate your editing workflow many times over by using text based Dialogue search to organize your footage. Roger Bolton demonstrates various workflows and techniques using the Scribeomatic software:

I hope you have enjoyed these demos. We still have quite a few workflow studies and feature demos coming from FCPX World IBC. Stay tuned.

© 2017 Ronny Courtens/FCP.CO

 


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Ronny Courtens (Belgium) is a post-production professional with over 40 years of experience in the film and television industry. He has worked for major national broadcasters and post-production facilities as an editor, post supervisor, and workflow architect.

Since he successfully used Final Cut Pro on a complex broadcast job at the 2012 Olympic Games, he has helped media companies and broadcasters all over Europe to adopt this application.

Building on his experience in enterprise workflows, he became a core member of LumaForge, now an OWC company. 

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