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We were waiting here yesterday for a large press release from AJA detailing a whole new line of products and it didn't really happen. What is the tribble trouble with AJA?

Ok, time to stop the Star Trek references, but to be fair we didn't start it. Instead of displaying excititng new products on the show floor, AJA Video Systems decided to have a preview event stardate sunday before the monday NAB show open.

At the preview event they described a new technology codenamed 'Riker' and a new Thunderbolt product called 'Phaser." We will post the full press release at the end of the article.

Surely Blackmagic and AJA got wind of Thunderbolt technology at the same time and if the antipodean contingent can get products out there to show the red shirts at NAB then why can't AJA? We all knew from the moment we saw Thunderbolt that it would have a dramatic effect on our industry and if we were captain, we would have immediately diverted power to get products ready for NAB. How about a Ki Pro with a Thunderbolt port or a Thunderbolted Kona card. Nope, it didn't happen.

What we did get though were a few press releases announcing the Ki Pro is recommended for Red Epic, some converters that guys with beards and sandals in the engine room would be interested in, 4K mode for the Kona 3G and a frame synchronizer transporter.

In any Enterprise, getting your products to market is key, but then again we have all waited for capture cards to be released. We were just expecting a bit more, a bit of a 'wow'.

 

Las Vegas, NV, NAB Conference, Booth SL4420 (April 11, 2011)-- AJA Video Systems is previewing products-in-development featuring the breakthrough Thunderbolt(TM) technology for new high-framerate 2K 3D, 4K and 5K workflows, and portable HD connectivity at its NAB exhibit booth SL4420.

“Video formats and connectivity options are always improving, and at AJA we consistently strive to implement next-gen technology, delivering the tools our customers need today and anticipating those they’ll need in the future,” said AJA President Nick Rashby. “We’re very excited to preview our high-end 4K and 5K workflows, and demonstrate our support for the new Thunderbolt technology as we work to integrate them into our product line.”

Codenamed “Riker,” AJA’s multi-format I/O technology for everything from SD to 5K workflows, is designed to address rapidly changing I/O and processing requirements via its unique modular architecture. “Riker” offers a revolutionary arbitrary hardware scalar that enables users to scale up or down any sized-raster (up to 5K) in realtime at full quality. “Riker” connects to its host via high-speed 8-lane PCIe 2.0, over a 3-meter tether cable. AJA’s new technology provides immense bandwidth, easily handling high-framerate 2K stereo 3D at up to 60Hz per eye, and even 4K stereo 3D at 24/30Hz per eye. “Riker” delivers superior I/O, processing and scaling on the Mac and PC for complex multi-format 5K/4K/2K and HD/Dual-link/SD workflows.

AJA is also demonstrating support for the all-new Thunderbolt technology based HD/SD I/O with the recently introduced MacBook Pro line. Developed by Intel and brought to market with technical collaboration from Apple, Thunderbolt technology is designed to provide simple, yet powerful one-cable plug-in connectivity for 3G, HD/SD-SDI and HDMI workflows. Codenamed “Phaser”, AJA’s upcoming product supports HDMI 1.3a input and HDMI 1.4 output for stereo playback, provides 10-bit up/down/cross-conversions, with RS422 device control and professional reference/LTC I/O, in a highly portable design.

“Riker” and “Phaser” are technology previews only. Products supporting this technology are currently in development and will be announced soon.


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I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

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2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

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Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.

 

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BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

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Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

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I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.

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Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

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I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!

 

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