At the moment this is designed to process the very bad amateur handycam footage online. The before and after processing videos are worth a watch though.
The YouTube online editor is beginning to look like iMovie, could Randy Ubillos be moonlighting? The GUI does look familiar or is it the fact that we will all end up with one common edit system in the future?
That's not the reason for the story though. Checkout the before and after stabilisation videos. There are some weird effects going on in there and the verticals are not vertical, but it is solid. Maybe too solid in places
Before stabilisation
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Let's get the YouTube chat in before the next video..
Ever shoot a shaky video that’s so jittery, it’s actually hard to watch? Professional cinematographers use stabilization equipment such as tripods or camera dollies to keep their shots smooth and steady. Our team mimicked these cinematographic principles by automatically determining the best camera path for you through a unified optimization technique. In plain English, you can smooth some of those unsteady videos with the click of a button. We also wanted you to be able to preview these results in real-time, before publishing the finished product to the Web. We can do this by harnessing the power of the cloud by splitting the computation required for stabilizing the video into chunks and distributed them across different servers. This allows us to use the power of many machines in parallel, computing and streaming the stabilized results quickly into the preview. You can check out the paper we’re publishing entitled Auto-Directed Video Stabilization with Robust L1 Optimal Camera Paths. Want to see stabilizer in action? You can test it out for yourself.
Here is the result
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This is obviously a long way off for us pro/semi-pro users, but it is an interesting glimpse into the future where super fast internet connection speeds means you can edit online & have YouTubes' servers doing all the stabilisation, rendering, conversions and then publishing for you.
I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.
I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.
Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.
I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!
Current Editing
2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.
BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.
Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.
As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.
Plugin Design & Development
I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.
I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.
FCP.co
Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook.
The Future
I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!
