In the blast of publicity surrounding the new M1 chips and the contemporaneous release of macOS Big Sur, the new capability of Thunderbolt 'hubbing' got slightly overlooked.
It has been a busy few weeks for Apple news. New Apple M1 chips, a new macOS and of course for us, FCP 10.5.
All good headline fodder. However, macOS Big Sur also bought in Thunderbolt hubbing. Up until now, Thunderbolt devices had to be daisy chained, which led to the annoying problem of having to power down everything if you wanted to remove the middle peripheral in the chain.
The new Thunderbolt Hub from OWC allows users to have three Thunderbolt 3 devices connected to your Mac via a single Thunderbolt 3 cable via the hub. As the unit is powered, it will also charge a laptop you have connected (up to 60W) and power the other devices (15W each).
We can see this being especially useful for editors who have media spread over multiple Thunderbolt drives. A lot of portable Thunderbolt drives do not have the extra socket to allow daisy chaining. Also for M1 MacBook Air, Mac Mini and 13 inch MacBook Pro users, this helps get around the problem of only having two ports on the machines.
With the caveat of 'we haven't tested it' it could allow users to have more than one monitor connected to the new M1 Macs. Please let us know if you have managed to do this successfully.
The Thunderbolt Hub is priced at $149 and should be available in early December through OWC/MacSales.
Larry O'Connor from OWC gave FCP.co a great rundown of the differences between Thunderbolt 3 & 4 (Spoiler - it's mainly a PC thing). He also talked about the new Goshen Ridge chips used for Thunderbolt 4 and what that will allow when it comes to how many and what peripherals can you plug in!
I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.
I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.
Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.
I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!
Current Editing
2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.
BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.
Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.
As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.
Plugin Design & Development
I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.
I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.
FCP.co
Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook.
The Future
I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!
