Everyday new FCP tutorials are being added to YouTube, some of them good, some not so good. But, is there such thing as a bad tutorial? (Yeup we've seen Rob's) We think the whole training scenario is changing and us die hard broadcast editors are in the minority. Cue debate.
We're pretty sure a lot of people are going to disagree with what we are about to say here:
"There are no bad tutorials out there."
But hang on we hear you say, some of them are made by kids as young as eight, some don't show any shortcuts and some are using FCP in a way it's not really been designed for. That brings us on to exactly our point, FCP is now a mass production tool and that means that people will be using it in whichever way they can to produce the result they want.
This morning we came across a set of FCP tutorials uploaded by a lady who clearly enjoys editing. We found her Adobe updater icon, bouncing in the dock, to be highly annoying throughout the tutorial and she mentioned broadcast safe as being 'above the black line and below the white line.' For her though, it doesn't matter and she gets results that she's happy with: That is the key, it's about results, not how you get there.
We think we all have to remember that the majority of FCP users are not outputting an HDCamSR tape for broadcast, the majority of projects end up on the wild west web. Out there levels don't matter, Sherif YouTube & Deputy Vimeo aren't going to throw you in jail for technical problems or glitches, what's the worst thing that could happen? Nobody watches.
Also this morning comes a report from the Wall Street Journal indicating that video post production services is one of the top ten dying industries. It might be dying in the traditional facility house model, but everywhere else it is exploding.
I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.
I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.
Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.
I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!
Current Editing
2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.
BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.
Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.
As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.
Plugin Design & Development
I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.
I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.
FCP.co
Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook.
The Future
I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!
