CrumplePop and Red Giant join forces to release Carousel a vintage looks plugin for FCPX

crumplepop carousel redgiant fcpx

Two large names in the Final Cut Pro ecosystem have joined forces to release 'Carousel' a vintage looks plugin especially for FCPX. 

Vintage looks are all the rage, take the success of Instagram and Hipstamatic as indicators of how popular the process of making images look as if they were shot using old film cameras has become.

Industry software writers and publisher Red Giant, known for Magic Bullet and template and plugin writer CrumplePop have teamed up to launch a new plugin called Carousel.

Maybe inspired by Don Draper's unforgettable pitch to Kodak, Carousel is a $49 plugin designed especially for producing vintage looks within FCPX.

'Carousel combines optical imperfections, vignettes, and color grades from a plastic camera to create a sophisticated effect that can be dropped onto any clip.  Once applied, Carousel can be easily fine-tuned to create the perfect mix of film fade, light leaks, and color cross-processing.'

"Working with the team at CrumplePop has been fantastic," said Aharon Rabinowitz, Red Giant's director of Communities. "As an artist, I've long admired their aesthetic, so when we decided to create something that really captured the feel of footage shot on a vintage camera, we knew we had to work with them. We're really proud of the end result of both our efforts."

"We're extremely excited to be teaming up with Red Giant," said Gabriel Cheifetz, co-founder of CrumplePop.  "Working with Aharon Rabinowitz and Harry Frank has been a genuine pleasure - they have a big reputation in this industry, and their creativity and nimbleness says a lot about Red Giant as a company.  We've got some truly extraordinary tools for filmmakers on the way, starting with Red Giant Carousel."

The plugin contains 10 vintage looks that can be tweaked for the right effect.

- Rich, compelling vintage effects.
- Drag and drop ease of use in Final Cut Pro X
- Powerful controls that allow you to fine-tune each effect
- Powerful film fading and color cross-processing
- Color treatments, vignettes, and optical imperfections captured from a real plastic camera

An installation guide and tutorial videos can be found on the CrumplePop website.

From Gabriel's words it looks like this is the first product of a series in partnership with Red Giant. Last week we announced that Singular Software had been acquired by Red Giant, so it is interesting to see them cooperate with another company in the ecosystem.

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I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

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2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

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Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


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BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

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Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

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I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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