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Digital Film Tools upgrade Film Stocks for Final Cut Pro X

DFT_Filmstocks_FCPX

When we reported on Film Stocks from Digital Film Tools back in January, we mentioned no support for FCPX. That's been fixed with this new update.

Actually there have been two recent updates to Film Stocks. Version 1.0.1 brought FCPX compatibility and Version 1.0.2 brought Film Stocks parameters to the Apple Final Cut Pro X user interface and Motion 5 compatibility. We would have posted this news last week, but as you might have read, their website was down. It's now back up.

The price is still a rather large $195 for FCP7/FCPX users and we also haven't managed to track down a demo movie to embed. As we mentioned in the previous article there are a lot of film style look packages out there, but if you need a specific film emulsion type emulation then Film Stocks will supply exactly that.

“Expanding the functionality of Film Stocks to now include support for Apple Final Cut Pro X was a clear decision for us,” comments Marco Paolini, founder and president, Digital Film Tools.·“We want our plug-ins to contribute to the creative process for all types of visual effects artists – from filmmakers and video editors to photographers and graphic designers. The ability to enhance film or video footage in Apple Final Cut Pro X with Film Stocks’ unique film stock emulations will bring an added dimension to any project.”

Here's some more information from the original article:

The guys have actually done quite a bit of research in building Film Stocks which emulates 288 different colour, black and white photographic film stocks, motion picture film stocks, and historical photographic processes.

"The new Film Stocks plug-in draws on our experience creating visual effects for hundreds of feature films and our expertise with film scanning and recording techniques. We have laboriously researched and analyzed different film stocks to come up with a set of interesting analog photographic, motion picture and vintage looks that will serve any project requiring that special analog film stock simulation," comments Marco Paolini, founder and president, Digital Film Tools.

The plugin does seem to support nearly every other host going though including Adobe After Effects CS5 and up, Adobe Premiere Pro CS5 and up, Apple Final Cut Pro 6 and 7, Avid Symphony™, Media Composer®, Newscutter® and Xpress Pro®. The video version of the plugin sells for $195.·

The stills version sells for $95 and supports Adobe Photoshop, Adobe Photoshop Elements, Adobe Photoshop Lightroom and Apple Aperture.

So what makes the plugin different from the other looks packages? It seems like they have assembled a fairly long list of effects based on classic photographic brands and processes. We spotted Ektachrome and Kodachrome hiding in the settings. The filter isn't just a bunch of presets either, the plugin has its own flexible and well featured custom GUI. More information can be found in the down loadable User Guide.

DFT_Filmstocks_GUI

Here are the specifications.

• 288 analog photographic film presets
• Select from Agfa®, Fuji®, Ilford®, Kodak®, Polaroid® and Rollei® color and black and white film stocks
• Choose from a wide range of historical photographic processes
• Get the skewed color look of cross processing
• Apply Lo-Fi photographic looks from Lomo and Holga toy cameras
• Age your images with the look of faded films
• Create your own film stock presets
• Layering system for multiple film stock application *
• Sophisticated but easy to use masking tools *
• Add a vignette to any preset
• Modify images with presets or sliders
• Quickly search for presets
• 8/16 bit image processing
• Multi-processor acceleration
* Photo plug-in versions


Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

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2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

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Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.

 

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BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

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Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

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I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.

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The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!

 

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