Over the weekend Scott sent us an email about his recent webinar on FCPX. We will let him take up the story about the list after the break.

"Over the last year I've done several webinars for FilmmakingWebinars.com. The most recent was the Final Cut Pro X Hands On Tour that was held on June 30. There were over 800 viewers in attendance. Part of the fun of these webinars is that they are live and attendees have the chance to ask questions that we try to answer at the end of the webinar. As you can imagine there's never enough time to answer them all and this one was no exception as we got over 100 questions that were asked before, during and after the webinar. It took a while but I tried to answer almost all of them. I learned a lot going through the answers."

Here's a sample of the 100 (actually 101) questions that are addressed in the 100 Final Cut Pro X Questions Answered.

2) Can you save your own effect & title setups?

You can copy / paste effects but you cannot save a custom filter after it has been tweaked to apply again via drag and drop as you could in FCP7. Title setups can be saved as Motion templates that will then be available in FCPX but there is no way to save a title created in FCPX to an FCPX event right in FCPX. Titles in FCPX can be opened in Motion and further tweaked and saved. One work-around I’ve done is to create a single project that I’ll often save titles into for later use.

21) are composite modes still available?

Yes, by selecting the Blend Mode of a clip in the Inspector. You can no longer select Blend Mode by right + clicking on a clip. They also seem to no longer be available by keyboard shortcuts.

50) While you can’t move order of windows, can you adjust scaling of windows within the layout?

Yes, different window sizes can be adjusted by dragging between windows and other windows will adjust accordingly.

57) Where is The Razor?

The Razor has become the Blade tool and defaults to the B key. You can also map the Edit > Blade command to the keyboard to add an edit to a selected clip at the playhead or the skimmer.

83) What’s your favorite new feature, and new disappointment?

Favorite new features are the many different background processes from rendering to transcoding to media management. Auditions is another strong new feature. Disappointment is the Magnetic Timeline and single Viewer that changes between source clips and the timeline.

For the full list of the hundred Q&A's please visit Scott's article. 

Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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