It has been a few crazy days of Apple news and we've loved every leak, tweet and article that we have come across. However it is only now that we are coming to realise how massive the new announcements really are. Prepare for a shock...

We overlooked the new Lion features and there are two big additions here. 

1) Lion has built in 'Lion Server'

2) Lion has built in Xsan   (subject to confirmation)

So what does this mean? Couple these with the new Thunderbolt I/O technology and things get interesting.

Buy an Imac, use it as your metadata controller. Attach a Thunderbolt RAID. Attach 4 Macs that have a Thunderbolt port.

Bingo you have a four seat HD edit system. What? Traditionally a system like this would have cost tens of thousands of pounds. Double metadata controllers, fibre channel switches, Xsan licences etc etc. Never mind having to get an expensive technician to set this up, racking, aircon, it's expensive. A couple of editors would have a 'Thunderbolt SAN' running in a morning.

Ok, let's take this to an extreme, how about a two seat HD system controlled by a Mac Mini?

This is huge! Well actually it's not, it could all run on desktops. Copper Thunderbolt cables are good for 3 metres, glass cables are good for 100m but they can be extended with a repeater after that. Looking after the glass cables might be the big issue. So unless you need 4+ seats of FCS or need to integrate into a bigger system such as a newsroom then this surely must be the biggest deal in shared storage going.

I'm sure there are a lot of Xsan engineers out there who are not going to be happy!

Peter Wiggins

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I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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