adidas fcpx

When Adidas wanted to promote their new football shirt for Mexico in the 2014 FIFA World Cup, their ad agency turned to Garage Films & Lucas Otero. He turned to FCPX and in the process did a screen capture of himself editing the commercial.

An FCPX user story with a great slant and perfect timing. Lucas Otero very kindly sent us details about a recent commercial he edited which was produced by Garage Films through TBWA/Chiat/Day for Adidas. 


'Adidas was a real rush of adrenaline. Everything was filmed in 2 days, with 3 parallel production teams in Croatia, Brazil and Cameroon.

As the footage arrived physically to Mexico, we were importing it into Final Cut X and generating all proxies to have a nice and fast workflow. We synchronized audios and only then, the real working journey started.

The 3 directors travelled to discover a real story in each country. The challenge back in México was to put the three stories into one storyline: futbol’s passion transcends frontiers because identity goes beyond geography, specially during the World Cup. We edited with extreme care 3 individual stories of each character and then mixed them, put them together and re-mixed again to make the best of each and achieve the final product.

It was filmed with cameras Alexa (Brazil) Canon 7D (Cameroon) and Blackmagic (Croatia).

Despite being a complex workflow by mixing cameras and formats (we had recorded footage to HD and other 2K) the process went smoothly, Final Cut Pro X responded in a big way from generating proxies.'



Here is the screen recording of the edit and the final commercial, you might want to go fullscreen!


If your Spanish isn't up to much (ours isn't) then the next video will help. This presentation Lucas put together for Cannes explains the concept of the advertisement along with English subtitles on the final ad.


We have thank Lucas for sharing the advertisement and the behind the scenes editing. Pleas make sure you visit his website at juanbjusto,tv.

He also very kindly sent us a link to a rather special short film he edited. We won't ruin the impact by describing it, but all we will say is that Vimeo liked it enough to make it a Staff Pick. What it was edited on we don't know and to be honest for this case, it doesn't really matter.

Enjoy. Possibly NSFW.



Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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