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Two detailed Final Cut Pro X presentations at the Los Angeles Creative Pro User Group

mestman kroll fcpx lacpug

At the recent Los Angeles Creative Pro User Group, a whole session was dedicated to FCPX. Sam Mestman and Noam Kroll both gave excellent presentations on how they use FCPX.

If Sam and Noam sound familiar, they are. The have both written very popular articles right here on FCP.co.  

Sam Mestman is the Chief Workflow Architect for Lumaforge which supplies services to the film industry. He wrote the most quoted article:

FCXP in Bulgaria a New Definition of Professional

Noam Kroll is an independent filmmaker who has just submitted a film for consideration in the Sundance Film Festival. He wrote the very popular article:

Sundance Submission Brother Sister Shot on a Blackmagic Cinema Camera and Edited in Final Cut Pro X

Sam And Noam are very similar but they are also different. One works on big budget feature films and the other shoots and edits his own productions. One thing they have in common is the understanding of how FCPX has made their job easier, freeing up more time for the creative process itself. 

Let us start off with the presentation from Sam who takes us on a tour of the benefits of using metadata within FCPX. Michael Horton also does a very interesting poll of the attendees that evening.

 

After Sam, Noam Kroll described his workflow for making his Sundance submission. He describes how the media (which was shot on a Blackmagic Cinema Camera) was brought into DaVinci Resolve before being edited in Final Cut Pro X. 

 

Two cracking presentations from the recent LACPUG and we have to thank Michael Horton for making them available online. If you would like to know more, do check out their articles.

More from Sam on FCP.co soon!

 

 


Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.

 

BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.

FCP.co

Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!

 

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