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We all now know that FCPX can edit Hollywood feature films, but the tools it provides are there for every production, large or small. Holodad is a science fiction film made on a budget, but big on the special effects. It has also been made a Kickstarter Staff Pick.

We will let Aaron Villa take up the story of Holodad -


When their transport crashes on a desolate planet, Haley must save her siblings from the machinations of a holographic father with deranged paternal ambitions. Through her struggles, she makes a connection with her new family and makes peace with God.

A Sci-Fi Drama with a Faith-Based theme, Holodad stars Kiana Stewart, Aaron Foss-Ginsberg, Lila Stewart, Connor Stewart, Bree Stewart, and Erin Fabry. Luke Stewart directs and produces his original screenplay.

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Inspired by "2001: A Space Odyssey", "War Games" and "A Quiet Earth", "Holodad" explores themes common to both science fiction and drama, namely; Man's over-reliance on technology, and our interdependence with others in our lives. Holodad also touches on spiritual questions and themes like; forgiveness, what is the nature of evil and why does it exist, and God's mercy and providence in our lives.

Holodad's Producer/ Director Luke Stewart has a background in 3D animation, videography and editing, making him well suited for the jack-of-all-trades demands of low budget filmmaking. “I had to learn to write a screenplay, and during that time I volunteered on someone else’s movie, and networked with local crew members. I couldn't have done it without them. Everyone really pulled together.” recalls Stewart.

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Producer/director Luke Stewart was already using Avid and had a rough cut. Luke let me decide on what software to edit in and I had been getting the itch to check out FCPX. I'd never really touched AVID and had been using Final Cut Pro Classic since v4.

Luke actually brought up FCPX and that was all I needed to take the plunge and I download FCPX v10.0.4 to see if it was possible. I felt I could definitely pick it up way quicker than AVID. I picked up an Apple Pro Training Series book to get me up to speed quick. Got about halfway through it and was ready to swim.

This is my first feature film edit. I've edit other large projects, but nothing of this magnitude. I joined the team in Summer 2012 and around October 2012 started the editing of Holodad. The bulk of the organization and edit was done by the end of that year.

I originally organized the events as individual dailies (pre library structure) which was about 36 events. Then when 10.1 came around I did the transfer to the library structure which was preceded with lots of caution, research and archiving. Thank you Steve & Mark from Ripple Training and resources like FCP.co.

holdad keywords

The problem with the way that I originally had it organized was that even though every shot had keywords with the scene numbers you couldn't do a search or smart collection to see them all together but at least the files where located separately in case of any issues.

Since 10.1 added the ability to manage our media outside the library I've re-organized it to have all the dailies as date and scene keywords in one event with the media managed externally. Some stuff like music and effects are managed by FCPX.





VFX shots

When a scene is locked I put it in a new compound clip. Then a spreadsheet is updated with in and out points for the VFX team. This is the synchronized clips "Start" and "End" timecodes under the info panel. You have to verify that the shot doesn't have audio extended under other shots or that the audio inside the synchronized clip doesn't extend past the front of the video or your timing will be off.

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Holodad was edited on a 2011 i7 Macbook Pro, 16GB ram, with Seagate thunderbolt drive and 27in Dell monitor. In early versions of the software I would get a lot of random spinning beach balls that didn't coincide with rendering or anything I was doing. If it went over 10 min I would force quit FCPX. Opening the project would take around 10min. Apple has really made improvements on speed and optimization since then.


Project Status

Currently the project is waiting for over 400 visual effects shots left to be completed. To finish the film Luke has started a Kickstarter campaign. For more information and progress on the film please visit the Holodad website.


What I love about Final Cut Pro X

  • Magnetic timeline: Coming from a 3D background the magnetic timeline was similar to the way things are parented in 3D.
  • To Do Markers: I would take notes on paper and with these to do markers during our conversations over the edit.
  • Keywords: besides the other keywords, as I was watching clips I could mark outtakes and BTS for later without having to go back and find them again.
  • Auditions: In the edit being able to have other shots available to show the director during the review sessions.
  • Search function: this is fantastic and the ability to save smart collections from those searches.
  • Roles: Creating DME master audio tracks has never been so easy
  • And much much more.


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What  would love to see in FCPX

  • It's annoying that you can't export your rolls into separate mono stems.
  • I wish that the batch rename function "Original Name" would actually rename the clips with their original file/clip name. But it just comes up blank.
  • Separate Proxy, Separate Generated media locations. Could still be "Packages" like the library and cache files.
  • Keyword inheriting: I'm annoyed with the fact that when you create a compound clip or a synchronize clip that it doesn't inherit the keywords so if you already did all your key-wording on all your scenes and all that stuff but you got to go back and re-keyword all the synchronize clips. Very annoying and time consuming.
  • Smart collections and searches at Library level. I may have got my wish seeing that the newest 10.2 version list the ability "use Smart Collections at the event and library level". Anyone tested this yet?


About the Author

I have a background in 3D animation, videography, video editing and DVD authoring. I’ve worked previously with Luke as a fellow 3D animator on some cartoons back in the early 2000's.

Aaron Villa   Visit Aaron's website.



Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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