One of the first and an example that many other broadcasters will be watching closely. Dutch national broadcaster EO has integrated the digital asset manager Cantemo Portal with Final Cut Pro X. 

Evangelische Omroep in The Netherlands also known as EO, was founded in 1967 and is a Dutch national public broadcaster. Based in the media city of Hilversum, its mission is to bring people in contact with Jesus Christ. All of its television productions derive from Christian vows and values.

EO embarked on the ambitious project of streamlining its entire production workflow, from ingest to play-out, both in the TV gallery and the central play-out facilities. It also needed to seamlessly migrate its existing 40,000 assets to the new system. Cantemo Portal™ was implemented to achieve that aim, together with partners Vidispine, and AA Media Group.

“There was a need to improve our production workflows in terms of speed, efficiency and management. Ensuring user friendliness was also at the top of our requirements list,” says Gerard den Hertog, Head of Production at Evangelische Omroep.

 EO building


Regaining Control

EO had a growing number of video assets being stored within its archives, with anywhere between 500 and 1000 being added each week. With so many assets, and with the number growing rapidly, it was becoming more and more challenging to manage them effectively. Especially as EO’s team often needed to search through the archives to find suitable images and videos for re-use.

AA Media Group began by working with EO to define the different production workflows required, ensuring it could appropriately configure the Cantemo system and its media backbone to meet EO’s requirements. For EO, it was important to be able to easily locate specific assets. It was also looking for a seamless workflow system, where everything could be efficiently managed in one place making it easy to use for the entire team.

Cantemo Portal enables the EO team to search and find specific assets. From within the system, they can preview the content, edit the metadata, and set permissions for individual assets, as well as being able to export the assets to a specific location. EO can also assemble several assets as a collection, which can be annotated with metadata and exported.


Integrated Production

Integrating the production system was an important part of ensuring everything could be managed in one place. Therefore the Cantemo system has been integrated with Final Cut Pro 7 and X. The users can open a specific asset from within Cantemo Portal directly into the Final Cut Pro NLE software. Thanks to some clever automated import and ingest processes; annotations, rough-cut edits and metadata are all transferred along with the asset, giving users a complete overview of each individual item.

“Integration with FCP7 and FCPX was important for us, as was having software with an open structure and the possibility to use the API. The Cantemo solution delivers on both of these key requirements,” commented Gerard.

The production team is able to make any necessary edits and then save the asset back into the MAM, complete with appropriate metadata so they can easily find it again next time it is required.

Cantemo Portal has been integrated with a number of other systems, including Tools On Air Just:in ingest software for digitization of tapes and recording live streams, as well as EO’s own ingest and planning systems. It has also been integrated with EO’s high performance production storage and its redundant on-site and off-site nearline storage for archive. All of this means that users can operate within Cantemo Portal whilst performing a multitude of other tasks, from digitizing tapes, recording live streams, to saving the assets in the various storage archives, and all without needing to know about a number of important automated tasks being handled in the background.

 EO workstation


User Interface

The integrated workflow ensures that the system is user friendly, an important requirement for EO and its team. The interface is available via a standard HTML5 web browser and has been designed for ease of use. In the backend however, the system is able to integrate and automate diverse workflows without the users’ knowledge. For instance, when a user exports an asset to a specific location, such as the central play–out, this asset will first be transcoded to the correct file format and then a quality control check is performed automatically to see if the file is correct based on specific criteria.

The Cantemo Rules Engine App keeps assets divided between productions and automatically archives or exports assets to a specific location. The application extends the core solution and helps EO in their policy for archiving content, whilst also enabling the system administrators to accurately monitor the system.

“We worked closely with EO to define the precise requirements to enable us to effectively configure the Cantemo Portal system to meet those very specific requirements and the outcome is a user-friendly, streamlined system capable of effectively managing the entire production workflow for EO,” commented Wilco Pieterse, Project Manager at AA Media Group.


About AA Media Group

AA Media Group provides innovative solutions and services with a focus on companies and organisations primarily active in the broadcast, audio-video and media industry. Its solutions concentrate on the establishment and improvement of new technological infrastructures, workflows and implementation of new media technologies. AA Media Group is an agile and flexible organization with a vast experience in ICT and Broadcasting. In addition, it is specialised in Media Asset Management environments, metadata solutions, media workflows and different unique interfaces between media technologies.



Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


Log in to comment