8K60p REDRAW, a Mac Pro, a Pro Display XDR, Final Cut Pro and the legendary Nile Rogers. Another superb FCP user story from Ronny Courtens.

iMovie is a good place to start a life as an editor, but it’s got several limitations. If you’ve done a few projects and you’re looking for more freedom in how to place clips, how to finesse your edits, or simply need a wider selection of titles, Final Cut Pro is an obvious next step.

Tired of waiting around staring at a Final Cut Pro's export progress? Now you can get remote notification when it has finished.

You’ve just purchased a shiny new Blackmagic URSA Mini Pro or Pocket Cinema Camera and are looking forward to the benefits of shooting camera raw. Oops! Final Cut Pro doesn’t support BRAW. Sure, you could use DaVinci Resolve, but you’d rather stay within your preferred editing ecosystem. Fear not, Color Trix has your back.

Szymon Masiak from MotionVFX is stepping down from running the company, the new management will continue to push for the best quality MotionVFX is known for.

It has been a long time since we had a #freeeffectfriday!  Let's fix that by publishing links to three, free great effects for Final Cut Pro.

A whole day of free presentations aimed at people who use Apple products to make videos? Can't be bad!

There are many ways to organise media in Final Cut Pro, Serge takes a look at few techniques.

If you are mixing audio for delivery using your NLE, you need to not only monitor levels, but also check the loudness of the entire programme. Oliver Peters explains levels, loudness and LUFs.

No direct YouTube export in Final Cut Pro? Serge shows you how to configure the best YouTube export settings in FCP and Compressor.