You can't just drop iPhone 12 footage into a REC 709 project in Final Cut Pro, Serge M explains why and more importantly, how to fix it.

Thomas Grove Carter starts off a series of short Final Cut Pro tutorials with four published today.

We are all used to the excellent proxy workflow in Final Cut Pro, but what about using camera generated proxies?

A detailed and concise explainer on how to transfer Final Cut Pro Libraries between editors.

In this new tutorial I'll be showing how to animate text in Final Cut Pro using keyframes. 

Watch how Daniel Schiffer makes a demo smoothie commercial in Final Cut Pro from a very simple beginning. 

This week I take a look at different ways you can use the Position Tool in Final Cut Pro. 

This time we are going to look a the various options when using the Image Mask effect in Final Cut Pro.

Some great tips from Final Cut Pro editor Rafi Saar on using audio in multicam clips in Final Cut Pro.

What does it take to convert a Hollywood editor to Final Cut Pro? in this series of videos we will find out.

Find out how to change the display of metadata and configure the XML export options in Final Cut Pro.

Are there big differences in trimming between Avid and Final Cut Pro? LA-based editor Josh Beal compares the two NLEs. 

In the first of a few articles about shared and remote workflows, we thought it would be a good idea to start by sharing the just published white paper 'Final Cut Pro Shared & Remote Solutions'.