Filip Vandoorne has put together a very detailed guide on how to use libraries on an NFS filesystem. Could this be a much cheaper option to Xsan? Is desktop shared storage here?


The solution to use NFS for FCPX project sharing has been known for some time, but the setup of NFS was always some obscure voodoo ritual, easier with Bresink NFS manager, but still...

So when I found the correct 'formula', I decided to make this how-to article for the FCPX community. Not everybody needs or has the budget for a full XSAN configuration!

Unlike Final Cut Pro 7 Projects, Final Cut Pro X libraries cannot be opened or saved to an AFP or SMB share point. It needs to be on a local storage or on a San. Using a San ( Xsan or metaSAN ) is more complex and requires a bigger budget, out of reach for postproduction companies with only a few edit suites.

Locally mounting sparse images that reside on the server is an older workaround which is well documented, but has disadvantages.

An other option is to use NFS as a file sharing protocol as pointed out by Amanda Burns at Florida Atlantic University and Bob Zelin.

NFS ( Network File System ) is a file sharing protocol allowing a user on a client computer to access files over a network much like local storage is accessed. It is built into every Mac running OSX as it is one of the building blocks of UNIX.

Setting up the server side will normally require advanced command line skills. But with NFS Manager from Marcel Bresink you can configure everything through a convenient user interface. You also don’t need OSX Server, so any Mac can be used as an NFS Server. On the client side you don’t have to install the Bresink software.


With NFS, there is no login or authentication system. The way to limit access is to define an IP subnet or a list of IP addresses that can access the NFS server. We need to designate witch user-id will be used when creating or modifying files. This means that all client computers will use the same user-id to access the server. In a small setup it is probably not a problem.

For security and performance we could consider connecting the edit stations to a separate ethernet switch with an 10GB uplink to the server.

In this example we made a user called fcp on the server, which will be used for that purpose. If you would access the fileserver via SMB or AFP protocols you should also login with that same user.


Server Mac mini with OSX Mavericks 10.9.2 and a fast external RAID disk; Client MacBook Pro with Mavericks 10.9.2; Gigabit Ethernet Switch; Final Cut Pro X 10.1.1; NFS Manager 3.9 ( which offers full support for OS X Mavericks )


Download the NFS Manager application at www.bresink.com.
You can evaluate the application in demo mode without functional restrictions. It only costs 17,85€. On the homepage there is a warning about Mavericks, but to my experience version 3.9 works fine.  

After download, move the application to your Applications folder or Utilities folder.

Before starting NFS Manager, check the System Preferences

Go to Sharing

Give the server a 'normal' Computer Name. Avoid spaces in server names and disk names.

Here our server is called videoserver and will be found on the network as videoserver.local


Go to Network

In our example, we added a additional thunderbolt ethernet adapter to double the bandwidth when using multiple clients. It's better not to use DHCP, but manually define the ethernet address of the build in ethernet and the thunderbolt ethernet adapter. Your IP addressing range will probably be different.



Go to Users & Groups

Besides the admin user, we recommend making a second user ( here fcp ) for normal use. In Login Options, set this user to login automatically when the server is started. This way the fcp user can also view and use the files on the shared volume, and will be also the user-id that network clients will use. If you have a small setup of 2 or 3 computers, the server can also be used as a normal editing station this way.



Go to Sharing

If you also need file sharing for machines that don’t use FCPX, you can activate the normal File Sharing. In this example our volume RAID, is also be shared using AFP and SMB, and is accessible using the fcp as login. The AFP en SMB file sharing is optional and not needed for the NFS sharing.


Launch NFS Manager

It will tell you the software runs in Demonstration Mode. This will disappear once you bought the application. Ignore the warning about DNS. 

Go to Share Definitions and press the + icon


Press the Select button to select the volume of folder you which to share, than change also the other settings as indicated.


Click on Show advanced options and change the settings as indicated





Close and the click on Apply.

Now the setup is done, you could check your other settings as below, but standard values will be good. If there is nothing in Shared Objects, reboot the mac and recheck in NFS manager.





Quit NFS Manager, setup of the server is done!

If you reboot the mac all values should still work.

Go to your client computer

In this case their IP address should be in the network segment 10.0.73.xxx

To connect to the server go to Finder, menu Go, Connect to Server and enter nfs://videoserver.local/Volumes/RAID
If you have a server with a fixed IP, you could enter in our example nfs:// or if you want to use the second ethernet port, use nfs://

Click connect and its done... Use the + to keep a list of the servers.



For easy access to your NFS server : in finder, menu Go, Computer, and drag an alias of the NFS share to your desktop, and perhaps to your sidebar as a favorite.


That's it, you can start editing!


If it doesn't work or you need somebody to help you to set it up in your setup we can probably help you, it's our daily job as an Apple Authorised Reseller and Integrator.


Filip Vandoorne

Filip Vandoorne works at Double Precision, a longtime Apple specialized reseller based in Belgium. Almost 2 decades ago, their first customers were architects, but that changed when the first DV-CAM cameras became available. They now consult, install and maintain post production-related solutions based on Apple and Adobe products.





Filip asked us to add some comments to the questions below as he doesn't have a Facebook account.

Most of the time the link aggregation = combining multiple real ports in 1 virtual ports gives problems in osx. Link aggregation is used if you want redundancy on the same ip nr and also you can get extra speed, but the setup of link aggregation on the network switch and stability on the mac side is mostly a pain. So to keep things simple and working in all situations :

If you use a MacPro with 2 ethernetports - or a Mac Mini with a extra Ethernetport on the Thunderbolt or USB3, give each port a separate fixed ip address. If you have multiple client computers, let half of them connect to the first ip address with nfs://firstipaddress/Volumes/Nameofyourshareddisk, and the second half on the second ip address of your server.
Or if you more money, get a 10GBit Ethernet card for the server and a 10Gbit Ethernet switch.

if your clients computers dont have 10Gbit cards, a switch that has 2 or 4 10Gbit ports and the rest 1Gbit will work fine. Or if you dont have a lot of clients computers, get one of those netgear 10Bit switches, 8 port or 12 port.
-- attention : it is not because a switch has SFP opticals ports that these ports are 10GBit !

D-link and Cisco also have models with 4 10Gbit ports and 24 or 48 1Gbit ports that will work fine and are cost effective if you need more than 11 clients computers.
Keep in mind that Thunderbolt-1 is only one 10GBit channel and if you use it also for storage as with a macmini with only 1 Thunderbolt port, this combination will have some limitations, but work fine for 2-5 clients.
Other more performant combinations can be made with a older Mac Pro or a new Mac Pro



Written by
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I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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