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Motion & Graphics Tutorials

User Stories

Creating The Slow Mo Guys VR180 in Final Cut Pro X

Explosions, fire, paint, slow motion & 3D 180 - What more could you want? Daniel Fabelo runs through the Final Cut Pro X workflow he uses editing for the popular YouTube channel The Slow Mo Guys.
Creating The Slow Mo Guys VR180 in Final Cut Pro X

ONA: Better Care for a Lifetime

Following up on his article last week, Adam Schoales now posts about his latest project.…
ONA: Better Care for a Lifetime

In-Depth Tutorials

Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and…

We built a pool! Publishing animating Motion textures to Final Cut Pro X

Want moving textures in Final Cut Pro X? Plugin building expert Fox Mahoney shows us how to construct a moving water texture in Motion and publish it to FCPX. Great knowledge that will extend the capabilities of 3D text even further. Link to the free finished moving water texture generator plugin…
animating textures fcpx

Big Sur & Apple Silicon

Mobile Creator

FCP.co Live Show 13 - WWDC & Final Cut Pro X on Arm-based Processors

In Live Show 13 we talked about WWDC and what that means for the Pro Apps (including Final Cut Pro X) running on the new Arm-based processors. We have seen there's a new FCPX, Motion and Compressor coming - what else do we know? Don't miss Jace Sparks talk…
FCP.co Live Show 13 - WWDC & Final Cut Pro X on Arm-based Processors

Most of us won't change out of the standard setting on our Canon 5Ds as we don't have time to experiment with the curves, but this guy has done if for you. Peter Miranda runs through all the 5D profiles, as well as the superflat curve. More after the break including shooting 3D on your 5D

What we especially like about this was his comment about equipment used:

  • Used Canon 85mm f1.2
  • LED light source,
  • 1 X Patient Wife

If you're looking for superflat solutions when shooting with your 5D then cinema5D.com  can help. User Stubbs has tried to get rid of the crushed blacks and get a really flat picture to retain as much dynamic range as possible, hoping to get close to what RED raw image looks like. There's more information in there, and links to the PF2 Superflat file to download.

While we're on the topic of 5D shooting, Peter Clark at Attic Studios has worked out how to genlock two 5Ds for some 3D shooting. Thanks to 3DFilmFactory for this story, here's how Peter did it:

"First, make sure both cameras are restored to the factory settings and in full “manual mode” with freshly installed firmware 2.0.8. When you’re ready, start both cameras recording video. Then, while both cameras are still recording, take a still frame using the pocket wizard."

"In this scenario, the cameras should respond simultaneously (you will hear a zipping sound, the shutter). The theory here is - that the act of taking a still photo while video is rolling "resets" the sensors and begins them scanning at the same pixel line. It seems that as long as the batteries on the Pocket Wizards are fresh, the trigger will remain accurate within a few m/s. Either way, as long as the sensors are scanning in the same direction and not totally out-of-phase, the flickering effect and eye-strain are eliminated - and the resulting 3D is NOT out of sync."

"Although this method may seem less than scientific – when tested repeatedly - it worked perfectly on every take." 

So there you have it, you can now shoot 3D with your 5D. Editing in FCP is the next step, and fortunately Dashwood's Stereo3D Toolbox provides the solution for that.

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