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Motion & Graphics Tutorials

User Stories

Easier, Faster, Cost-Effective, But Never "Cheap": How To Build Out A Successful Media Business In Difficult Economic Times By Embracing Simpler Workflows and New Technologies

The Final Cut Pro X success stories keep on coming. This time we look at Norway's largest newspaper VG, whose TV arm switched to FCPX enabling them to expand their online media production.
Easier, Faster, Cost-Effective, But Never "Cheap": How To Build Out A Successful Media Business In Difficult Economic Times By Embracing Simpler Workflows and New Technologies

In-Depth Tutorials

Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and…

We built a pool! Publishing animating Motion textures to Final Cut Pro X

Want moving textures in Final Cut Pro X? Plugin building expert Fox Mahoney shows us how to construct a moving water texture in Motion and publish it to FCPX. Great knowledge that will extend the capabilities of 3D text even further. Link to the free finished moving water texture generator plugin…
animating textures fcpx

Big Sur & Apple Silicon

Mobile Creator

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Here's a good one for all you camera assistants out there trying to force your way in the business. The top ten things every camera assistant should know about the RED Camera. Find out what they are after the break.

There's a wealth of RED experience to be found on The Black and Blue blog, and author Evan Luzi has given us a lot of insight into things like: data management, the flange/back focus, reading the dial, dropped frames, varispeed shooting, and meta-data.

But there are two things we thought might be of special interest to the uninitiated.

One: Its a heavy little beast, so if its not tripod mounted, there are a lot of considerations to take into account. For the sake of your shoulder at the very least!

And Two: There's a 90 second boot time on the RED camera, so it's probably not something you'd want to use for filming wildlife doccos!

If you want to read the full article go to Evan Luzi's very informative blog The Black and Blue. Here's the link to find out all ten things to know about the RED camera.

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